The artistic experience of Angelo Brescianini (Palazzolo sull’Oglio, 1948) began in the late 1960s, when in 1968 he participated in the Padua Biennale with a typically informal work.
In the seventies, the spirit of tireless research led the artist to abandon the canvas and colors, to devote himself to sculpture. They are abstract wooden sculptures, which since the mid-eighties have been equipped with mechanisms that expand the expressive possibilities linked to form: they are works of kinetic art, where movement becomes a fundamental element. The transition from static to dynamic sculptures is dictated by the need to create works that can communicate in a different way to each new observer's gaze.
A further evolution of this kind of realizations occurs from 1994-95 when the devices that give the movement will no longer be operated by the observer: the work will be equipped with its own motion, almost as if it came to life.
Brescianini began in 2001 to experiment with new execution techniques that will lead to the creation of the “Expansions” series, consisting of uqdri made by shooting against the surfaces of the support.
The artist, in fact, is obsessed with speed, but does not want to "represent", but wants to create almost immediate works. The goal is to create works that are born with a speed equal to that with which the idea reaches his creative mind. The solution to this problem is identified in the immediacy with which a bullet hits the target. He died in 2016.


2019 Art Miami; Arte Fiera Bologna; Arte Fiera Milano
2018 Arte Fiera Bologna; Arte Fiera Milano
2017 Arte Fiera Padova; Arte Fiera Milano