Nadezda Nikolova-Kratzer (b. 1978, former Yugoslavia) is a photographic artist presently working with wet plate collodion photograms. Her practice is informed by an experimental approach to early photographic processes and her interest in the image as object. Captivated by the fluidity of wet plate collodion, she manipulates the medium while simultaneously courting chance intrinsic to handmade photography: “I spray, dab and brush on the chemistry in a performative enactment rather than an image capture. (Sometimes, the brush strokes leave physical marks on the emulsion.) In essence, I am negotiating with the chemistry, guiding it. But only to a point. The chemistry has a say in the final image.”

The abstract landscape series, Elemental Forms: Landscapes, emerged as the artist’s direct response to her surroundings and to feeling a sense of well-being and security within the landscape. She believes that each locale has its specific identity, history and emotional imprint. Her aim with this series is to record intangible aspects of the landscape, as she experiences them through immersion and observation, without the camera’s capacity for transcription. The photogram as medium allows the artist to search for the essence of the place by using simplicity and abstraction. By reinterpreting a 19th century process and reducing photography to its essential components, the artist has created a unique visual vocabulary suggestive of landscapes that exist outside of space and time.

Nadezda Nikolova-Kratzer studied historic processes at George Eastman Museum with Mark Osterman and at the University of Kentucky. She was a finalist for the 2018 LensCulture Exposure Awards. She lives and works in Oakland, California.

Work Selection

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Elemental Forms, Landscape no. 59

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Elemental Forms, Landscape no. 71