Leeahn Gallery , Stand n° AM508

Untitled - James Rosenquist

James Rosenquist Untitled

Untitled -  Jinwoo Lee

Jinwoo Lee Untitled

Untitled -  Jinwoo Lee

Jinwoo Lee Untitled

Spring Beam 17-77 -  Tchunmo Nam

Tchunmo Nam Spring Beam 17-77

Breathing Light - Yellow in Yellow -  Taeksang Kim

Taeksang Kim Breathing Light - Yellow in Yellow

Beam 15-3 -  Tchunmo Nam

Tchunmo Nam Beam 15-3

Breathing Light - Jade Green -  Taeksang Kim

Taeksang Kim Breathing Light - Jade Green

Spring Beam 17-144 -  Tchunmo Nam

Tchunmo Nam Spring Beam 17-144

ULTRA-MARINE 1758 - Tschoonsu Kim

Tschoonsu Kim ULTRA-MARINE 1758

Smoker Study #15 - Tom Wesselmann

Tom Wesselmann Smoker Study #15

Exhibiting Artists

  • Yisu Kim  (+)

    Exhibition : Selected Solo Exhibition

    2017 Dorossy Salon, Seoul
    PROJECT B6 ,Haeundae
    2016 Hendrick Hamel museum Gorinchem, Gorinchem,
    Sejong Gallery, Seoul
    2015 Gallery Q , Tokyo
    NL=US Art, Rotterdam
    2014 Pho Gallery, Beijing
    2013 E-jung Gallery, Seoul
    2012 Gallery Q , Tokyo
    Gallery Dos , Seoul

    Selected Group Exhibition

    2018 The Post Dansaekhwa of Korea, Leeahn Gallery, Seoul / Daegu
    2017 Post illusion, Choeunsook Gallery
    Le grand bleu, Gallery Son, Tong yong
    SEOUL THE EXCHANGE Bureau voor Kunst PHK18 ,
    Kunst PHK18, Rotterdam
    Art Meeting 2017-2展, Gallery Q, Tokyo
    PIUGI, Gallery FP, Seoul
    Sense and Sensibility, Kuandu Museum of Fine Arts, Taipei
    2016 Saya Irie Kim Yisu Fatima Haider Group Exhibition ,
    Tokyo Gallery, Tokyo
    Neo-Morosism 2016, Tokyo gallery, Tokyo
    Duo show of Esther Jiskoot and Yisu Kim, Pulchri, Hague
    Bureau for Art, PHK18, Rotterdam
    URBAN AND VISIONARY LANDSCAPE, Kim Jongbok Museum, Daegu
    2015 Duo show of Esther Jiskoot and Yisu Kim, Pulchri, Hague
    Share-Heart, Choi Jeonga Gallery, Seoul
    Bureau for Art, PHK18, Rotterdam
    Quintet, Dongduk Art Gallery, Seoul
    TriAd, NaMu Gallery, Seoul
    Hommage a Whanki, Whanki Museum, Seoul

    Detailed Description : Yisu Kim’s work is reminiscent of a horizon. The overlapping thin monochromatic bands pacify the minds of viewers. Kim creates a countless number of overlapping horizontal faces of gradation, recalling an oceanic horizon. The distant horizon, in effect, is not a horizon itself but an idea created by his soul.

    Also exhibited by:

    Also represented by:

  • Taeksang Kim  (+)

    Exhibition : Selected Solo Exhibition

    2017 Aso gallery, Daegu
    2016 Taguchifineart, Tokyo
    2014 Taguchifineart, Tokyo
    2013 Gallery Date, Pusan
    2010 Taguchifineart, Tokyo
    Aso gallery, Daegu
    2009 soso gallery, Heiry, Paju
    2008 Taguchifineart, Tokyo
    2006 Taguchifineart, Tokyo
    2004 CAIS Gallery, Seoul
    BIBI SPACE, Deajeon
    2003 Linda Fairchild Contemporary art, San Francisco

    Selected Group Exhibition

    2018 The Post Dansaekhwa of korea, Leeahn Gallery, Seoul / Daegu
    2017 PIUGI, Gallery FP, Seoul
    2016 Neo Moroism(4th), Tokyo Gallery + BTAP, Beijing
    2015 GUEN, Sejul Gallery, Seoul
    2014 Empty Fullness: Materiality and Spirituality in Contemporary
    Korean Art, Sanghai
    2013 Daam-hua, Reconfiguring Contemporary Art : From a Korean
    Perspective, ICAS, Singapore
    2012 Dansaekhwa - Korean Monochrome Painting, NMCA, Gwacheon
    “Stillness into Color - Inframince of Moonlight”, Kawamura
    2009 Memorial Museum of Art, Chiba
    Gwangju Design Biennale, Gwangju
    2008 Comtemporary Korean Art (To Have or To be), Ire
    Land, Portugal, Hong Kong
    Color and Space, Mokumto Gallery, Seoul
    2007 Two persons show(Kim Taeksang, Ahn Jeongsook) Garam Gallery, Seoul
    Simply Beautiful-Breath of Nature in Contemporary Korean
    2006 Art, Center Pasquart, Swiss
    Busan Biennale, Busan

    Detailed Description : Taeksang Kim’s monochromatic picture plane comprises a trace of a color of subtle nuances. He spreads canvas or paper on the floor and pour the water dissolved a small amount of the acrylic pigments on them, and then dries them slowly. He pours the water to the dried canvas and iterates the process over and over. Reminiscent of ripe persimmons left dangling on an autumn tree or a calm blue sea, Kim’s work leads viewers to a world of deep contemplation

    Artist's Objects:

    •  Taeksang Kim - Breathing Light - Jade Green Breathing Light - Jade Green
    •  Taeksang Kim - Breathing Light - Yellow in Yellow Breathing Light - Yellow in Yellow

    Also exhibited by:

    Also represented by:

  • Tschoonsu Kim  (+)

    Exhibition : Selected Solo Exhibition

    2016 The Page Gallery, Seoul
    Galerie Son, Berlin
    2015 Gallery Date, Busan
    2011 Gallery Nuovo, Daegu
    2010 Gallery Lee&Bae, Busan
    Galerie Son, Berlin
    2009 Artforum Newgate, Seoul
    2008 Sun Gallery, Seoul
    Gaain Gallery, Seoul
    2006 O’s Gallery, Jeonju

    Selected Group Exhibition

    2017 ‘The Post Dansaekhwa of korea, Leeahn Gallery, Seoul / Daegu
    Under the SKIN, Artbit Gallery, Seoul
    A Forest becomes Path, Veri Tas Hall, Seoul
    Dust to Duat, Far Beyond Gallery, Seoul
    Looking into Korea Art II Dansaekhwa, Museum SAN, Wonju
    2016 Spirit of Korean Contemporary Art, Keongnam Art Museum, Changwon
    Grand Blue, The Page Gallery, Seoul
    Full Empty-Korean Monochrome Paintings, Mella Art Gallery, Teheran
    Exhibition of SNU 70th Anniversary, Wooseok Gallery, Seoul
    2015 Unconscious and Trace, Kidang Museum of Art, Seoguipo
    Danseakhwa- Busan Art Fair, Bexco, Busan
    Gyeonn- Three Artists, Gallery Sejul, Seoul
    Vision of the Korean Contemporary Art, Oceanus Art Hall, Busan
    Break Open, Wooseok Gallery, Seoul
    2014 Hommage to Whanki, Whanki Museum, Seoul
    Blue & D major, Iljoo & Sunhwa Gallery, Seoul
    Spirit of Contemporary Korean Art, Veritas Hall, Seoul
    2013 Three Rooms, Clayarch Gimhae Museum, Gimhae
    2012 50 Years of Korean Drawing, Seoul Arts Center, Seoul
    Danseakhwa, National Museum of Contemporary Art, Kwacheon

    Detailed Description : Kim Tschoonsu has his hands covered with paints crisscross the canvas, while his body gets into the rhythm of his soul. The Intense work process adds to the dynamism of his body, which in turn compels him into a feeling of rapture. Kim’s work of art is characterized by corporeality, ultimately asking questions over ‘what humans are in essence’, through primordial body gestures reflecting on pre-language challenges.

    Artist's Objects:

    • Tschoonsu Kim - ULTRA-MARINE 1758 ULTRA-MARINE 1758

    Also exhibited by:

    Also represented by:

  • Lee Kun-Yong  (+)

    Exhibition : Selected Solo Exhibitions
    2018 Pace Gallery, Beijing
    2017 LEEAHN Gallery, Seoul
    2016 Event-Logical, Gallery Hyundai, Seoul
    2015 LEE Kun-Yong, UM Gallery, Seoul
    Special Exhibition, International Cheongju Art Fair
    2014 Lee Kun-Yong in Snail's Gallop, National Museum of Modern and Contemporary Art, Gwacheon
    2012 Lee Kun-Yong, Gallery Godo, Seoul
    2011 Lee Kun-Yong Performance : Relay Life, One Village in L.A.
    Lee Kun-Yong Special Exhibition, Asan Gallery, Asan
    The 4th ART DAEGU International Art Fair’s Special Artist, EXCO, Daegu
    2010 Lee Kun-Yong Special Exhibition, Gallery Casa di Lago, Gunsan
    Lee Kun-Yong Underground 2010, Asan Gallery, Asan
    Lee Kun-Yong Special Exhibition, Oulim Art Show
    Hotel Fair, Onyang Hotel, Asan
    Art Hamptons : The International Art Fair, Sayre Park, Bridgehampton, New York
    The 3rd Art DAEGU International Art Fair’s Special Artist, EXCO, Daegu
    2009 The 2nd Art DAEGU International Art Fair’s Special Artist, EXCO, Daegu
    2008 Lee Kun-Yong Solo Exhibition in Commemoration of Lee In-Sung Art Prize, Daegu Culture and Arts Center, Daegu
    Invitational Solo Exhibition of Lee Kun-Yong : Drawing Underground 2008, Asan Gallery Drawing Hall, Asan
    I.NOW.This Place : Lee Kun-Yong Solo Exhibition, Bongsan Cultural Center, Daegu
    Lee Kun-Yong : Bodyscape, Asan Gallery, Asan
    2007 Lee Kun-Yong in L.A. 2007, Inmo Gallery, L.A.
    Lee Kun-Yong Solo Exhibition, The Modern Art Gallery, L.A.
    ART STAR 100, COEX, Seoul
    2002 Lee Kun-Yong Invitational Solo Exhibition of Sori Art Center of Jeollabuk-do 2002, Jeonju
    1999 MANIF Seoul International Art Fair, Seoul Arts Center, Seoul
    Logic, Life and the Commonplace, The Korean Culture and Arts Foundation Fine Art Center, Seoul
    1996 Lee Kun-Yong Performance, Jinpo Cultural Center, Gunsan
    1991 Human Created

    Detailed Description : Laying the cornerstone of his performance art since 1976, his body drawing series have evolved from the drawings for ‘recording’ certain artistic activities to the expression of paintings. His paintings, throw light on the significance of the continuum of his profound philosophical concepts manifested in his world of art, while at the same time providing the audience with some serendipity of encountering unintended and overlooked but profound artistic outcome. In so far as his body drawing series embody his belief that an artist’s body can and must be an overarching medium of art, the images in his painting are part of his intention to show the audience what he believes to be the effects of human body on the act of painting.

    Also exhibited by:

    Also represented by:

  • Jinwoo Lee  (+)

    Exhibition : Selected Solo Exhibitions

    2017Museum Chosun , Seoul
    Tokyo GALLERY +BATP , Tokyo
    2016 Museum Chosun , Seoul
    2015 Gallery Maria Lund, Paris
    H.T Gallery, Beijing
    2014 Lumiere par le vent, Gallery Maria Lund, Paris
    2013 H.T Gallery, Beijing
    2012 Mur, Gallery Maria Lund, Paris
    2009 Gallery Maria Lund, Paris
    2008 Cité Internationale des arts, Paris
    2007 Galerie Maria Lund, Paris
    2006 Galerie Manes, Prague
    2005 Galerie Michelle Reme, Paris
    2004 Seoul Art Center, Seoul
    2003 Gallery Art-Space, Seoul
    2002 Gana Art-Space, Seoul

    Selected Group Exhibition

    2018 The Post Dansaekhwa of Korea, Leeahn Gallery, Seoul / Daegu
    2015-16 SEOUL-PARIS-SEOUL , MUSSE CERNUSCHI, Paris
    2012 AJAC Paris 30th Exhibition, Paris
    2011 Arcochage, Paris
    2010 Four-way road, Gallery Gustave, Paris
    2009 Star Art Exhibition, Gallery Moon, Beijing
    2008 The Silence Of The Lambs, Paris
    2007 Chalon de dessin, Gallery Maria Lund, Paris
    2006 Sweet Paper, Gallery Maria Lund, Paris
    2005 Hanji The Art of Paper, Paris
    Exhibition, Gallery Espace, Paris
    2004 Stone and Water Project ‘Saving Anyang River’, Anyang
    2003 Global 031, Ansan
    2001 Wing of Golden Color, Uijeongbu

    Detailed Description : His Dansaekhwa conveys the general characteristics of Korean Dansaekhwa owing to his attitude towards his works. He engages in an intense labor of stubbornly beating the charcoal pieces placed on the surface of traditional Korean Paper(Hanji) with a metal brush, to create a form comparable to a graveyard. The surface of blackish, greyish or blueish Hanji is covered with achromatic colors rendered by the material effects of an uneven accumulation of small and large charcoal pieces. On second sight, one notices the blackish, greyish or blueish thick layers summon up life and death, the solemnity of which characterizes Lee’s Dansaekhwa.

    Artist's Objects:

    •  Jinwoo Lee - Untitled Untitled
    •  Jinwoo Lee - Untitled Untitled

    Also exhibited by:

    Also represented by:

  • Tchunmo Nam  (+)

    Exhibition : Selected Solo Exhibitions

    2018 Collision and Respreading of Line, Gyeongnam Art Museum, Changwon
    From Lines to Landscapes, Daegu Art Museum, Daegu
    2017 Aando Fine Art, Beriln
    2016 Tchunmo Nam, LEEAHN Galllery, Daegu
    Art’Loft, Brussels, Belgium
    2015 Tchunmo Nam, LEEAHN Galllery, Seoul
    Where light and dark collide, Aando Fine Art, Berlin
    Beam 2015, Kunstraum21, Bonn
    2014 Holly Hunt & Nam Tchun Mo,Holly Hunt, London
    Gallery 604, Busan
    Yedong, Busan
    2013 Holly Hunt&Nam Tchun Mo, New York
    IBU Gallery, Paris
    Space Honggy, Seoul
    2012 Gallery M, Daegu
    BIBI Space, Daejeon
    Gallery Landskron Schneidzik, Nurnberg
    2011 IBU Gallery, Paris
    2010 Atelier24, Gelterkinden
    Gallery Date, Busan
    2009 IBU Gallery, Paris
    Seok Gallery, Daegu
    2008 Gallery Uwe Sacksofsky, Heidelberg
    Gallery F5, Beijing
    2007 CAIS Gallery, Seoul
    Seok Gallery, Daegu
    2005 Atelier24, Gelterkinden
    Lee Hyun Gallery, Daegu
    2004 Gallery Hana, Kronberg
    Blaue Gallery, Schnecken
    Jo Hyun Gallery, Busan
    2003 CAIS Gallery, Seoul
    2002 Lee Hyun Gallery, Daegu
    2001 Kumho Museum, Seoul
    Hyundai Arts Center, Ulsan
    Park Rye Sook Gallery, Seoul
    Gallery M, Daegu
    2000 Ci Gong Gallery, Daegu
    Jo Hyun Gallery, Busan
    1998 Ci Gong Gallery, Daegu
    1996 Ci Gong Gallery, Daegu
    1994 Gallery Epikur, Wuppertal
    1993 Gallery XAS-multikult, Frankfurt
    1992 Dubitz Gallery, Daegu
    1989 Yea Mcak Gallery, Daegu


    Selected Group Exhibitions

    2018 Post Dansaekhwa, LEEAHN Galllery, Seoul, Daegu
    2017 Beautiful Black, LEEAHN Galllery, Daegu, Seoul
    2016 Wechselzei

    Detailed Description : Tchunmo Nam’s objecthood originates from his act of ‘making’. The objecthood lies in an act of not drawing but making. Escaping from the fate of copying, into which the act of drawing cannot but be forced, the act of making serves as a factor behind the existence of an object in the world. Dyeing instead of applying colors to fabrics, or unfolding dyed fabrics in wooden frames to repeatedly paint polyester pieces seems to be a deliberate attempt to stay focused on the essence of the objecthood, or to preclude his consciousness from being projected into the object. The encounter of neutrality between colors and objects is a prerequisite for the transparency of the world around the object. Leaving the body open to the total absence of manipulation of consciousness enables the world of life

    Artist's Objects:

    •  Tchunmo Nam - Beam 15-3 Beam 15-3
    •  Tchunmo Nam - Spring Beam 17-144 Spring Beam 17-144
    •  Tchunmo Nam - Spring Beam 17-77 Spring Beam 17-77

    Also exhibited by:

    Also represented by:

  • James Rosenquist  (+)

    Biography : James Rosenquist (November 29, 1933 – March 31, 2017) became well known in the 1960s as a leading American Pop artist alongside contemporaries Andy Warhol, Roy Lichtenstein, Claes Oldenburg, and other figurative artists. As with his contemporaries, Rosenquist’s background in commercial art deeply influenced his nascent fine-art career and radically changed the face of the art world and the annals of art history. While each Pop artist developed a distinct style, there were commonalities in their approaches to image-making that helped define the Pop art movement in the early 1960s: the use of commercial art techniques, and the depiction of popular imagery and everyday objects. Drawing on his early experience as a billboard painter, Rosenquist culled imagery from print advertisements, photographs, and popular periodicals and recombined these to create mysterious and bold compositions. Utilizing the visual language of advertising, described by the late American curator Walter Hopps as "visual poetry," his work has plumbed questions ranging from the economic, romantic, and ecological to the scientific, cosmic and existential. Creating seminal new work over more than five decades, Rosenquist consistently expressed facile talent in painting, collage, drawing, and printmaking. His work is included in major public and private institutions, and has been featured in solo exhibitions at the Solomon R. Guggenheim Museum, Museum of Modern Art, Walker Art Center, Whitney Museum of American Art, Guggenheim Museum Bilbao, The Menil Collection, The Museum of Fine Arts Houston, Denver Art Museum, Tretyakov Gallery, Museum Ludwig, Wallraf-Richartz Museum, and other national and international institutions.

    Exhibition : solo show
    2018
    James Rosenquist 'Time Dust' , Galerie Klaus Benden, Cologne
    2017
    James Rosenquist Painting as Immersion , Museum Ludwig, Cologne

    Group shows
    2018
    Masterworks on Paper , Joseph K. Levene Fine Art, Ltd., New York
    Political Art , Alpha 137 Gallery
    The Mid Century Modern Aesthetic , Alpha 137 Gallery
    Rare, Collectible and Historic Modern & Contemporary Art Posters , Alpha 137 Gallery
    Independence Day Sale - Complimentary Global Shipping and Packing on All Works in this Show purchased before July 10, 2018. Mention this promotion when you request to purchase through Artsy , Alpha 137 Gallery
    Staff Favorites , Alpha 137 Gallery, New York
    Artists Skates, Plates, Pumpkins & Plaques...plus Shawls, Scarves, Handkerchiefs, Handbags, Jewelry & Clothing , Alpha 137 Gallery
    Gifts of Love for Lovers of Art , Alpha 137 Gallery
    Red Online , Joseph K. Levene Fine Art, Ltd., New York
    #ArtWiseUP: Starting an Art Collection – Part I , ArtWise

    2017
    American Works on Paper , Eckert Fine Art, Kent
    Fall Acquisitions 2017 , michael lisi / contemporary art, New York
    American Masters Editions 1960 - 2000s , Eckert Fine Art, Kent
    Rare Art Historical Ephemera from our private collection , Alpha 137 Gallery
    New York Pop Art: Works on Paper , Meyerovich Gallery, San Francisco
    2016
    FALL OFFERING , michael lisi / contemporary art, New York
    Famous Prints of the 20th Century , GALLERY SHCHUKIN, New York
    Art You Can Stomach , Sragow Gallery
    Told and Retold: Myth through the Ages , Childs Gallery, Boston
    Forbidden Art: Communism vs. Capitalism , GALLERY SHCHUKIN, New York

    Detailed Description : James Rosenquist is credited with one of the first to address the persuasive power of advertisement by putting together seemingly unrelated subjects to fragmented commercial images. In this sense, his artworld is closely related with burgeoning consumer culture of the mid-20th century. Over the course of time, he moved beyond his fascination with pop culture and mass media to deal with new issues. Owing to this transition, he has been evaluated as one of the few artist whose later work is still relevant to contemporary issues.

    Artist's Objects:

    • James Rosenquist - Untitled Untitled

    Also exhibited by:

    Also represented by:

  • Tom Wesselman  (+)

    Biography : Tom Wesselmann was born in Cincinnati, Ohio, on February 23, 1931. He attended Hiram College in Ohio from 1949 to 1951 before entering the University of Cincinnati. In 1953 his studies were interrupted by a two-year enlistment in the army, during which time he began drawing cartoons. He returned to the university in 1954 and received a bachelor’s degree in psychology in 1956; during this time he decided to pursue a career in cartooning and so enrolled at the Art Academy of Cincinnati. After graduation he moved to New York City, where he was accepted into the Cooper Union and where his focus shifted dramatically to fine art; he received his diploma in 1959. Wesselmann became one of the leading American Pop artists of the 1960s, rejecting abstract expressionism in favor of the classical representations of the nude, still life, and landscape. He created collages and assemblages incorporating everyday objects and advertising ephemera in an effort to make images as powerful as the abstract expressionism he admired. He is perhaps best known for his Great American Nude series with their fat forms and intense colors. In the seventies, Wesselmann continued to explore the ideas and media which had preoccupied him during the Sixties. Most significantly, his large Standing Still Life series, composed of free standing shaped canvases, showed small intimate objects on a grand scale. In 1980 Wesselmann, using the pseudonym Slim Stealingworth, wrote an autobiography documenting the evolution of his artistic work. He continued exploring shaped canvases (first exhibited in the 1960s) and began creating his first works in metal. He instigated the development of a laser-cutting application, which would allow him to make a faithful translation of his drawings in cut-out metal. The 1990s and early 2000s saw the artist expanding on these themes, creating abstract three-dimensional images that he described as “going back to what I had desperately been aiming for in 1959.” He had in

    Exhibition : solo exhibition
    2018
    Wesselmann: 1963–1983 , Gagosian, Beverly Hills
    Tom Wesselmann: Standing Still Lifes , Gagosian, New York
    Tom Wesselmann - Still Life , Gagosian - Jason Ysenburg, NY
    2017
    Tom Wesselmann: Bedroom Paintings , Gagosian, London
    Tom Wesselmann , Almine Rech Gallery, London
    Tom Wesselmann - Bedroom Paintings , Gagosian - Jason Ysenburg, NY
    Tom Wesselmann - Other Available Works , Gagosian - Jason Ysenburg, NY
    2016
    A Different Kind of Woman , Almine Rech Gallery, Paris
    2013
    Tom Wesselmann , Alan Cristea Gallery, London
    Tom Wesselmann , Galerie Thomas, Munich

    group exhibition

    2018
    Crossover featuring Invader & Russell Young , Galerie Kronsbein, Munich
    New Space, New Acquisitions , Hollis Taggart, New York
    Untitled Projects: Contemporary & Pop Selections , Untitled Projects, Los Angeles
    Staff Picks , Denis Bloch Fine Art
    Masterworks on Paper , Joseph K. Levene Fine Art, Ltd., New York
    Staff Favorites , Alpha 137 Gallery, New York
    Icons Online , Joseph K. Levene Fine Art, Ltd., New York
    The Director's Choice , Andipa, London
    Das kleine Format , Galerie Schwarzer, Düsseldorf
    XX: Twenty Years of Masters , New River Fine Art, Fort Lauderdale
    Contemporary & Modern Masters , Gormleys Fine Art, Dublin
    Red Online , Joseph K. Levene Fine Art, Ltd., New York
    American Icons , Opera Gallery, Paris
    Winter Exhibition: Post-War Meets Today , Robert Fontaine Gallery
    Print Project Space , Alan Cristea Gallery, London
    2017
    Highlights from the Collection 2017 , Galerie Klaus Benden, Cologne
    Art Basel & Art Miami 2017 Private Viewings , Fine Art Mia, Miami Beach
    Reasons to be cheerful! , Robert Eagle Fine Art, London
    Inventory/Storage , Oxymore London, London
    Contemporary Flowers , Oxymore London, London

    Detailed Description : Having started as a cartoonist, Tom Wesselmann’s ultimate goal was to make figurative painting as interesting as abstract art. To this end, his artworld made good use of commercialism and voyeurism. He revealed that there is no hidden meaning in his artworks; his sole purpose was to show how advertisement and commercialism shapes one’s identity.

    Artist's Objects:

    • Tom Wesselmann - Smoker Study #15 Smoker Study #15

    Also exhibited by:

    Also represented by:

Other Represented Artists

About

Leeahn gallery was established by Hyeryung Ahn, the collector-turned-gallerist. Leeahn gallery currently operates two branches in two cities: Seoul, and Daegu of South Korea. Leeahn Seoul, established in 2013, is located at Seocheon, so-called the cultural hub of Seoul. Leeahn Daegu, established in 2007, is based in Daegu-the cradle of Korean modern art. Since their establishments, Leeahn gallery has strived to bridge the gap between the public and artists by holding diverse and compelling art exhibitions.
Leeahn Gallery has played a pivotal role in introducing contemporary art trends by showcasing the artworks of emerging-- and renowned Korean masters such as Nam-june Paik, Kang-so Lee, Kun-yong Lee, Dong-youb Lee and Tchun-mo Nam. Furthermore, Leeahn gallery has ceaselessly held solo exhibitions of notable international artists such as Andy Warhol, Alex Katz, Frank Stella, David Salle, Jennifer Steinkamp, Kiki Smith, Imi knoebel, etc. These series of art shows have been hailed as uplifting public awareness of contemporary art.

Recognizing the importance of promoting Korean artists in the global art world, Leeahn gallery continues its effort to participate various international art fairs such as Art Basel Hong Kong, Art Miami, Art Stage Singapore, etc. As a result of such efforts, our representative artists have been invited to prestigious art museums and galleries for their shows.
Leeahn Gallery will continue to discover and foster promising artists from Korea and abroad, contributing to the vitalization of the Korean art market and globalization.

Contact

Leeahn Gallery w:  http://www.leeahngallery.com Hongseok Lee junghyun Bae Hongwon Lee Hyeryung Ahn