BOCCARA ART , Stand n° AM334

KROA, 1968 - Victor Vasarely

Victor Vasarely KROA, 1968

N/A -  LeRone Wilson

LeRone Wilson N/A

N/A - Victor Vasarely

Victor Vasarely N/A
Victor Vasarely was a French-Hungarian artist credited as the grandfather and leader of the Op Art movement.
Utilizing geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism.
The artist died at age 90 on March 15, 1997 in Paris, France.

KROA A - Victor Vasarely

Victor Vasarely KROA A

N/A - Antonio Segui

Antonio Segui N/A

Transcendance -  Benjamin Shine

Benjamin Shine Transcendance
Tulle on canvas, 2016
165 x 125 x 5 cm
65 x 50 x 2 in

Award-winning artist and designer, Benjamin Shine is most known for his tulle works, which centre on ideas of impermanence, energy and the fleeting moment – each made by pleating and manipulating the delicate material into form with an iron and often generated from a single uncut length of tulle. Benjamin's Tulle Flows are a continuos single length of flowing tulle, each conveying clarity out of chaos, hence the depiction of faces in states of peaceful meditation.
Benjamin has become one of the most wanted artists in NY after his famous installation “Seeing Through The Material” at Bergdorf Goodman, 5th Avenue, New York. The Metropolitan Museum of Art in New York has already acquired Benjamin's works.

Anderson and Shepard -  Jim Dine

Jim Dine Anderson and Shepard
Acrylic, sand and charcoal on linen, 2008
122 x 244 cm
48 x 96 in

Jime Dine ia an American painter, graphic artist, sculptor, and poet who emerged during the Pop art period as an innovative creator of works that combine the painted canvas with ordinary objects of daily life.
He is particularly associated with the bathrobe and the stylized heart. The subject of Dine’s work of the 1970s remained commonplace objects, but he showed a growing preoccupation with graphic media and exploitation of nuances of line and texture.

Exhibiting Artists

  • Hyun Ae Kang  (+)

    Biography : Hyun Ae Kang was born in South Korea. Currently based in California, USA. She uses natural materials, mostly wood, to create her innovative, rich in colours and texture mixed-media works. Her art reveals the wonder and the sublime residing wishing nature, her inner desire to share her journey of faith, reflecting her longing to have her life shaped by the presence of the Divine. Her works are thus a quite and deeply personalised meditation on her relationship as an Artist with an Almighty Redeemer. Since 1993 Hyun Ae Kang was collected by The Art Museum of Seoul and Brea Museum & Historical Society.

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  • Alexander Calder  (+)

    Biography : Alexander Calder was born in Philadelphia in 1898 and died in New York in 1976. Alexander Calder best known for his innovation of the mobile suspended sheet metal and wire assemblies that are activated in space by air currents. Visually fascinating and emotionally engaging, those sculptures—along with his monumental outdoor bolted sheet metal stabiles, which only imply movement—make Calder one of the most-recognizable and beloved modern artists. He also made a smaller number of sculptures in the more-traditional materials of wood and bronze and did paintings, mostly in gouache, as well as drawings, including illustrations for books, and prints, and was an inventive designer of jewelry.

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  • Christopher Campbell

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  • Niki de Saint Phalle  (+)

    Biography : Niki de Saint Phalle (born Catherine-Marie-Agnès Fal de Saint Phalle, 29 October 1930 – 21 May 2002) was a French-American sculptor, painter, and filmmaker. Widely noted as one of the few female monumental sculptors, de Saint Phalle was also known for her social commitment and work. She had a difficult and traumatic childhood and education, which she wrote about decades later. After an early marriage and two children, she began creating art in a naïve, experimental style. She first received worldwide attention for angry, violent assemblages which had been shot by firearms. These evolved into Nanas, light-hearted, whimsical, colorful, large-scale sculptures of animals, monsters, and female figures. Her most comprehensive work was the Tarot Garden, a large sculpture garden containing numerous works ranging up to house-sized creations. Her idiosyncratic style has been called "outsider art"; she had no formal training in art, but associated freely with many other contemporary artists, writers, and composers. Throughout her creative career, she collaborated with other well-known artists such as Jasper Johns, Robert Rauschenberg, Larry Rivers, composer John Cage, and architect Mario Botta, as well as dozens of less-known artists and craftspersons. For several decades, she worked especially closely with Swiss kinetic artist Jean Tinguely, who also became her second husband. In her later years, she suffered from multiple chronic health problems attributed to repeated exposure to glass fibers and petrochemical fumes from the experimental materials she had used in her pioneering artworks, but she continued to create prolifically until the end of her life. A critic has observed that Saint Phalle's "insistence on exuberance, emotion and sensuality, her pursuit of the figurative and her bold use of color have not endeared her to everyone in a minimalist age". She was well known in Europe, but her work was little-seen in the US, until her final years in San Diego. Another

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  • Jim Dine  (+)

    Biography : Jime Dine ia an American painter, graphic artist, sculptor, and poet who emerged during the Pop art period as an innovative creator of works that combine the painted canvas with ordinary objects of daily life. His early work consists primarily of images on canvas to which three-dimensional objects (e.g., articles of clothing, garden tools) are attached. His reputation was secured during the 1960s by his wittily incongruous painted images of tools, clothes, and other utilitarian and household objects. He is particularly associated with the bathrobe and the stylized heart. The subject of Dine’s work of the 1970s remained commonplace objects, but he showed a growing preoccupation with graphic media and exploitation of nuances of line and texture.

    Artist's Objects:

    •  Jim Dine - Anderson and Shepard Anderson and Shepard

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  • Wang Keping  (+)

    Biography : Born in Beijing in 1949, the Chinese sculptor Wang Keping currently lives and works in Paris. Wang Keping is a self-taught sculptore and works mainly with wood, a material that he respects, highlighting its the natural curves. A founding member of the group “Xing Xing” (Les Etoiles), with Ma Desheng, Ai Weiwei and Li Shuang, he leaves China in 1984 to exile himself in Paris. This expatriation comes along with a sliding of political subjects towards a more personal and more contemplative approach centered on the body, essentially feminine. The wood, the highly alive material, allows him to develop an organic language. Wang Keping does not hesitate to let dry supports selected during several years before sculpturing them. This media and its peculiarities so guide his work which logically favors uncluttered forms and movements. He lives and works in Paris. He admires artists such as Maillol, Brancusi or Zadkine. Starting from 1986, he shows his works at the Zürcher gallery and in 1989 he has a show at the Georges Pompidou Center and the Museum of Modern Art of Taiwan. Wang Keping has been selected by Art+Auction ( in the Top 50 Next Most Collectible Artists. His work ‘Silence’ has been selected by the CNN as one of the ’10 art works that will change the way you see China’ in 2014. In 2015 published an article about his artworks’ market value entitled ‘Le Cas Wang Keping’ (The Wang Keping Case).

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  • Krista Kim

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  • Antonio Segui  (+)

    Artist's Objects:

    • Antonio Segui - N/A N/A

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  • Benjamin Shine  (+)

    Biography : Award-winning artist and designer, Benjamin Shine has established a multi-disciplined creative approach dedicated to challenging perceptions through original constructional ideas and craftsmanship. Following his studies in fashion design at Central St Martins in London, Benjamin has spent over a decade exploring the potential of materials to express ideas through his artworks, public sculptures, fashion, furniture, and product designs. Benjamin is most known for his tulle works, which centre on ideas of impermanence, energy and the fleeting moment – each made by pleating and manipulating the delicate material into form with an iron and often generated from a single uncut length of tulle. Benjamin's Tulle Flows are a continuos single length of flowing tulle, each conveying clarity out of chaos, hence the depiction of faces in states of peaceful meditation. Benjamin's work has attracted a range of clients encompassing fashion labels, product and interior manufacturers, international Arts and Design institutions such as The Crafts Council, UK and The New York Museum of Arts and Design. Global brands include Givenchy, Barclays Wealth, MTV, Eurostar, Deutsche Bank, Coca-Cola and Google His 2013 fashion collaboration with Givenchy saw him develop his signature tulle technique alongside Givenchy’s Creative Director, Riccardo Tisci, creating a limited edition series, which blurred the lines between art, sportswear and Haute Couture. Most recently, Benjamin was invited to collaborate with John Galliano for Maison Margiela. The resulting work of couture was shown at Paris fashion week 2017 and received worldwide recognition. Benjamin has become one of the most wanted artists in NY after his famous installation “Seeing Through The Material” at Bergdorf Goodman, 5th Avenue, New York. The Metropolitan Museum of Art in New York has already acquired Benjamin's works.

    Artist's Objects:

    •  Benjamin Shine - Transcendance Transcendance

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  • Victor Vasarely  (+)
  • Liu Wei  (+)

    Biography : Born in Beijing, China in 1965, Liu Wei studied printmaking at Beijing’s Central Academy of Fine Arts. After graduating, Liu Wei quickly became known as a prominent figure in China’s “cynical realism” movement. Influenced by the events of 1989, his early paintings mirror the movement’s disenchantment with both political and artistic utopias, less a statement about historic events, than expressions of skepticism and satire. Demonstrating a wide array of influences—from Chinese calligraphy to Expressionism—Liu Wei’s work has become less political over time, dealing instead with universal themes of humanity. Like his Western forebears Francis Bacon and Lucien Freud, he is a master of rendering human flesh and combining figuration with subliminal text and abstraction. Liu Wei’s deft grasp of technique and acute awareness of color and composition is evident in his lush landscapes, in which flora and fauna often escape the confines of the canvas and spill out onto the hand carved frames.

    2016 Art and China after 1989: Theater of the World, Solomon R. Guggenheim,
    Museum, New York, New York
    2013 Passage to History: 20 Years of La Biennale di Venezia and Chinese Contemporary Art, Museum of Contemporary Art Chengdu, China
    2012 China— XinJiang The 1st Contemporary Art Biennale, XinJiang, China
    Go Figure! Contemporary Chinese Portraiture, The National Portrait Gallery Canberra, The
    Contemporary Art Foundation, Sydney, Australia Face, Minghsheng Art Museum, Shanghai, China
    Last updated: 7 November 2018

    2010 The WAY is not merely between two points, Lin & Lin Gallery, Taipei, Taiwan
    2008 Encounter, Pace Gallery, Beijing, China
    New Interface 4— Here Comes Spring, Red Bridge Gallery, Shanghai, China
    Half-Life of a Dream: Contemporary Chinese Art, San Francisco Museum of Modern Art, San
    Francisco, California
    Where Are We? CH’ IENMEN 23, Beijing, China
    Our Future: the Guy & Myriam Ullens Foundation Collection, UCCA, Beijing, China
    2007 Beyond the Image, Shanghai Art Museum, Shanghai, China
    The Opening Exhibition of Zhangjiang Contemporary Art Museum, Zhangjiang Contemporary Art
    Museum, Shanghai, China
    New Interface 3— Searching the Future, Liu Haisu Museum, Shanghai, China Contemporary in Cross-Straits— Comparing Reading, Songzhuang, Beijing, China
    2006 Not Flowers, Songzhuang Museum, Beijing, China
    The Lime Light of Chinese Contemporary Art, Gallery Artside, Seoul, Korea
    An Exhibition for Liu Wei’s Photos by Polaroid and Li Yanxiu’s Oil Paintings, Ni Gallery, Beijing,
    Art in Motion, MoCa Shanghai -Museum of Contemporary Art, Shanghai, China
    Mahjong— Contemporary Chinese Art from the Sigg Collection, Kunstmuseum Bern, Switzerland;
    Hamburger Kunsthalle, Germany
    2005 Land of Warmth— The Opening Exhibition of Red Bridge Gallery, Shanghai, China
    Always to the Front— China Contemporary Art, Kuandu Museum of Fine Arts, Taipei, Taiwan 2004 Tradition, Poetry and Sensibility, Shanghai Gallery of Art, Shanghai, Chin

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  • LeRone Wilson  (+)

    Biography : LeRone Wilson (1968) is a sculptor and painter living and working in New York. His primary medium is encaustic, the oldest form of painting, used by the ancient Egyptians to fuse hieroglyphics. His sculpted encaustic paintings explore the complexities of the historical and cultural inferences of spirituality, history and identity. His work represents a medley of different textures that stimulate the senses, making the art not just a thing of beauty to be admired from a distance, but something we can feel connected to through the expression of touch. It’s a way of revealing an image without actually being able to control it, letting it come about itself. The work varies in shapes with 1 to 4 inches of wax built up on the surface. Their elegant abstract details invoke minimalist historical references that are surprisingly compelling. The results are unrecognizable surfaces that encourage kind of curiosity as to their function as paintings. Minimalism can be defined as the perfection that an artifact achieves when it is no longer possible to improve it by subtraction. This is the quality LeRone wants to achieve with the texture of the encaustic. Every component, every detail and every function has been reduced or condensed to the essential. The simplicity of his work explores the possibility of working creatively without disrupting the purity of the material. A finalist for the Louis Comfort Tiffany Award and winner of Best in Show for the Carroll Harris Sims Award, his works have also appeared in live auctions and shows at Phillips DePury and reside in the Museum of Biblical Art in New York and the African American Museum in Dallas.

    Artist's Objects:

    •  LeRone Wilson - N/A N/A

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Other Represented Artists

  • Laurence Jenkell  (+)

    Detailed Description : Born in 1965, Laurence Jenkell lives and works in Vallauris, in the Alpes-maritimes. Self-taught, she started to create on her own in the middle of the 90s. Her artistic research led her to experiment with various techniques such as inclusion, dripping, firing, casting, etc. After multiple attempts, she successfully mastered and dominated Plexiglas, obtaining the “wrapping” technique, which will allow her to produce the Candy sculpture that has obsessed her for many years now. That candy allowed her to exorcise devils of her childhood and made her question herself about her own heredity. The artist is going to transform it and work it in various more and more imaginative and dreamlike searches. She shapes it, plays around its structure and its twisting to arrive quite naturally at the spiral of the DNA double helix. Through this new creative orientation, the artist transmits us a little of her own DNA. Exposed all over the world, Laurence Jenkell began travelling a lot. As one of the most significant projects of the Artists, Jenkell's Candy Nations, a series of oversized candies with the flags of different countries, was first created for the G20 Summit in Cannes, France 2011. In 2018, to celebrate New York City as a world city and capital, Candy Nations arrived on the Garmet District malls on Broadway, as part of installation by the Garment District Alliance and the Arterventions program from the NYC Department of Transportation.

  • François Calvat

    Biography : Francois Calmat is a French artists, born in 1926 in Nice, South of France. Starting paintings from the age of 17, Calmat never stops searching for new textures and experimenting with different materials. His work is complex and innovative. Francois often uses charcoal for his art works. The most eye catching is the violet paint finishing.

  • Sonia Delaunay

  • Luis W. Guajardo  (+)

    Detailed Description : As an architect graduated in 1998 from Instituto Tecnológico y de Estudios Superiores de Monterrey I have always had an artistic side. As a painter I have been studying Fine Arts since 2007. Interiority begins with the idea of experimenting with uncommon materials in my artwork. Initially, glass and mirrors represented a personal journey to my younger self, when looking at my reflection meant becoming the hardest judge towards myself, those times were full of self-rejection. The lack of accepting my true colors affected the concept of who I was, what I thought and what I did in my personal surroundings. Now, with this artwork, my love for art bound me with my own reflection for many hours. Interiority made me realize how much valor, force and creativity there is in me and in every human being. Through my work, I shaped each piece so that the beholder can appreciate what art and particularly Interiority has taught me, to love oneself. My intent is to create a profound sensation that makes us reflect towards our Interiority, in our oldest memories, locked within four walls, hiding and listening attentively in order to make things happen. In the end, we realize that we are one, we are a whole. In spite of these elements that represent obstacles, Interiority allows us to see ourselves inside each art piece. Occasionally this represents a challenge, it is hard, but when we become aware of our integrity we achieve to find our true self.

  • Damien Hirst  (+)

    Biography : Damien Hirst is an English artist and entrepreneur who is most famous for his artworks of displays of dead animals and medicine cabinet sculptures. With his controversial and sometimes shocking works, he has emerged as one of the best-known artists in Britain. He was born on June 7, 1965, in Bristol, England, to Mary Brennan into a middle class family, he was a troublesome teenager and was jailed twice for shoplifting. Despite his sometimes-wild behavior, he made his way to college and later studied Art at the University of London. He celebrated his first success as an artist when he presented dead animals in formaldehyde as an art. His later works include paintings made by spin machines, enlarged ashtrays filled with cigarette butts, monumental anatomical models of the human torso, and medicine cabinets filled with pharmaceuticals. He became an important figure in the development of Britart, an innovative and revolutionary conceptual art. His body of work comprises of paintings, drawings, sculptures and installations that blur the boundaries between art and science.

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  • Robert Indiana  (+)

    Biography : Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Indiana was one of the preeminent figures in American art since the 1960s. He has played a central role in the development of assemblage art, hard-edge painting and Pop art. A self proclaimed “American painter of signs,” Indiana has created a highly original body of work that explores American identity, personal history and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists who make the written word a central element of their oeuvre. One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

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  • Feng Lianghong  (+)

    Detailed Description : Lianghong Feng produces lush abstract paintings inspired by a heady mixture of ancient Chinese philosophy, calligraphy, Eastern and Western art history, and urban graffiti. He covers his canvases with beautifully complementary passages of color and all manner of marks, including fat, paint-laden brushstrokes; thin, sketchy scribbles; drips; daubs; and splatters. He often begins with a naturalistic landscape, which he then partially obscures with an overlay of his abstract marks. Feng both refuses and accepts categorizations of his work—a Zen-like position that acknowledges our natural inclination to define works of art in concrete terms, while also insisting upon the freedom to approach his practice with originality and without preconditions.

  • Roy Lichtenstein  (+)

    Biography : Roy Fox Lichtenstein was born on October 27, 1923, in New York City. Lichtenstein attended the Franklin School for Boys, a private junior high and high school, and was graduated in 1940. He studied painting and drawing from the model at the Art Students League of New York . He entered Ohio State University (OSU) in Columbus in the College of Education. His early artistic idols were Rembrandt, Daumier and Picasso. He was one of the most influential and innovative artists of the second half of the twentieth century. He is preeminently identified with Pop Art, a movement he helped originate, and his first fully achieved paintings were based on imagery from comic strips and advertisements and rendered in a style mimicking the crude printing processes of newspaper reproduction. These paintings reinvigorated the American art scene and altered the history of modern art. Lichtenstein’s success was matched by his focus and energy, and after his initial triumph in the early 1960s, he went on to create an oeuvre of more than 5,000 paintings, prints, drawings, sculptures, murals and other objects celebrated for their wit and invention.

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  • Gianfranco Meggiato  (+)

    Biography : Gianfranco Meggiato was born on August 26, 1963 in Venice, where he studied stone, bronze, wood and ceramics sculpture at the Istituto Statale d’Arte. At the age of 16 and then 21, he was selected by the Municipality of Venice to exhibit his works at the Galleria Comunale Bevilacqua La Masa in San Marco Square, where he presented three culptures in Vicenza stone and semi-refractory clay. In his work, Meggiato gets inspiration from great masters of the 20th century: Brancusi for his pursuit of the essential, Moore for the inside-outside relationship in his culptures about maternity, Calder for the sense of space. Space, in fact, is a real element in Meggiato’s work and empty parts become just as important as full parts. The artist shapes his sculptures inspired by biomorphic tissue and the labyrinth, symbolizing the tortuous path of humanity looking for its essence, and revealing his recious soul. Meggiato thus invents the concept of “introsculpture” in which the observer point of view is drawn towards the inner part in the artwork, not only restricting on the surface. «On a formal level, space and light don’t define the work, sliding over it as if it were in-the-round; they indeed penetrate inside it, wrapping its lattices and tangles, reaching the central sphere point as as a quintessential point of arrival» Starting from 1998, Meggiato has taken part in many exhibitions and art fairs all over the world, including USA, Canada, Great Britain, Denmark, Germany, Belgium, Holland, France, Austria, Switzerland, Spain, Portugal, Principality of Monaco, Ukraine, Russia, India, China, Arab Emirates, Kuwait, South Korea, Singapore, Taipei, Australia. In 2007 he exhibited monumental sculptures at OPEN 10 International Exhibition of Sculptures and Installations, in Venice; between 2007 and 2009 he was active with many personal exhibitions as in the National Museum of Musical Instruments in Rome; Palazzo Senato in Milan; Museo Correr (Marciana Library) in Veni

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  • Jules Olitski  (+)

    Biography : Jules Olitski (March 27, 1922 – February 4, 2007) was a Russian-born American painter who was instrumental in the development of the Color Field school. Like his contemporaries Helen Frankenthaler and Morris Louis, Olitski stained the surface of his canvases in a technique that rejected the gestural brushwork of the then-popular Abstract Expressionist artists. With their emphasis on material, surface, and color's emotional strength, his signature works eliminated the illusion of depth and any evidence of the artist's touch. His abstract "spray paintings" of the 1960s are considered landmark works of this movement.

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  • Simone Pheulpin

    Biography : Born in 1941, Simone Pheulpin is a French textile sculptor who lives and works in the Vosges. Her works are the result of an instinctive expression that uses both the suppleness and firmness of an untreated, natural material, a simple nonbleached cotton. From her fabric strips and thousands of pins, a veritable vocabulary of forms and shapes with an organic allure, a supernatural world where surprising rocks and the seabed take form, sprung from her spirit and guided by her hands. For Simone Pheulpin, a fundamentally atypical textile sculptor, folding is a language, her language. Her strips of raw cotton, tirelessly stacked, twisted and connected, produce organic sculptures that reflect Simone Pheulpin’s intense, deep, astonished perspective on nature and convey her view of the world with infinite poetry. Her sculptures will be exhibited in May/June 2018 in the New Design Museum, London (Loewe Foundation, Craft Prize) and have been exhibited in amazing places full of history such Venetian palaces, mansions in London, Paris and Brussels, Swiss chalets, or European palaces (Hotel Plaza Athénée in Paris, the Hotel de la Paix in Geneva, the Fairmont Monte Carlo, the Conrad Brussels, ...). In unique museums such as "Villa Empain" in Brussels, "the Museum of Contemporary tapestry" in Angers without forgetting the United States and Asia. These worldwide exhibitions have allowed Simone Pheulpin’s artworks to integrate the prestigious Public Collection of Victoria and Albert Museum in 2018 and contemporary art Private Collections.

  • Manolo Valdes  (+)

    Biography : Manolo Valdés is a Spanish artist, born on March 8, 1942 in Valencia, Spain. He is a painter, sculptor and a printmaker, best known for his association with the artistic group known as Equipo Crónica. Declaring himself “a consumer of art and its history,” Manolo Valdés ranges deftly across mediums, producing witty, art-historically informed drawings, paintings, prints, and sculptures that explore history and contemporary culture, politics and everyday life. Approaching each medium as part of an interconnected whole. Trained as a painter, Valdés grew up imbibing the works of Spanish masters like Diego Velázquez and Pablo Picasso, later becoming influenced by Pop Art. With Rafael Solbes and Joan Toledo, he formed Equipo Crónica group (early 1960s-1981), utilizing the Pop idiom to criticize Spanish dictator Francisco Franco in scathing paintings. References to Spain abound in his work, in portraits resembling its royalty, sculptures recalling Don Quixote and Sancho Panza, or in the recurring, semi-abstracted figure of the Infanta from Velazquez’s Las Meninas (1656). Manolo Valdés currently lives and works in New York and in Madrid.

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  • Andy Warhol  (+)
  • Fu Wenjun

    Biography : Fu Wenjun is a Chinese contemporary artist. He works on conceptual photography, installation art, sculpture and oil painting. Currently he lives and works at Chongqing, China. He has developed the unique “digital pictorial photography” style. His solo exhibitions were presented by the Museu Europeu de Arte Moderno (Barcelona), the National Art Museum of China (Beijing), the Old Summer Palace Museum (Beijing), the Today Art Museum (Beijing), the United Nations Headquarters (New York), the Guangdong Museum of Art (Guangzhou) and other international art organisations. Fu Wenjun's works are collected by Museu Europeu de Art Moderno, National Art Museum of China, Today Art Museum, the Old Summer Palace Museum, Tokyo Metropolitan Art Museum, Kennedy Family, World Council of Peoples for the United Nations, Dazu Grotto Museum, Chongqing Art Museum, Guangdong Museum of Art, Société Nationale des Beaux Arts of France, Egypt Ahmed Shawki Museum and other significant organizations and collectors.


BOCCARA ART is a global network of Modern and Contemporary Fine Art Galleries and exhibition spaces, presenting work by established artists of the 20th and 21st centuries.

Today BOCCARA ART Galleries are located in New York, Brooklyn and Monterrey, with several locations in Miami, Chicago, Seoul, Hong Kong and London (BOCCARA FINE ART).

BOCCARA ART Incorporation head office resides in Central Manhattan, at 130 West 56th Street, New York, which also serves as an exhibition space, and BOCCARA ART Brooklyn Gallery is minutes away from lower Manhattan, at 198 24th Street, Brooklyn, NY. Gallery features an impressive two-floor exhibition space spanning nearly 500m2 (5,300ft2).

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With its museum-like quality, BOCCARA ART Galleries highlight an important collection of historically influential artists, while simultaneously dedicating its spaces to emerging artists as well.

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BOCCARA ART w: Founded:  2007 Liubov Belousova Lune Chan Wenxia Chen Jimmy Xu Jennifer Zhou Simone Li