Understanding the
Presence, VII. Paris. - Juan  Garaizabal

Juan Garaizabal Understanding the Presence, VII. Paris.

Quill -


Exhibiting Artists

Other Represented Artists

  • Ricardo Cardenas

    Biography : Ricardo Cardenas (b. Medellín, Colombia, 1966) His interest in art started at a very early age when he was only 5 years old. He studied arts at ‘Instituto de Bellas Artes’ in Medellín. Cardenas is also a Civil Engineer and holds Master's Degree in Manufacturing Engineering from the University of Massachusetts. While his engineering background has been fundamental for the development of his work, his inspiration is nature which he interprets with abstract elements and forms.

  • Carlos Cruz Diez  (+)
  • Juan Garaizabal  (+)

    Biography : He has accrued international renown for his monumental public sculptures. His "Urban Memories", structures intertwining sculpture and illumination, are a recuperation of long-lost architectural elements occupying vacant, historically significant sites. The lost landmarks are depicted at both their original sites and sizes. A truly versatile artist, Garaizabal’s multifaceted work encompasses drawings, sculpture, light and acoustical installations, video art, and engraving. Originally a conceptual artist, as a sculptor a large part of his preparatory and final work has been done by hand, using such techniques as forging, carpentry, electricity, plasticity, and masonry - all skills acquired through time and experimentation. As of 2008, his main studio is in Berlin, Germany, although he maintains another in Madrid, Spain and in Miami US. Well known, American art historian and critic, Barbara Rose has published a monographic book about his work that was presented in Chicago’s Art Fair in September 2016. They have also collaborated in projects such as "La Memorial del Giordano" at the 55t edition of the Venice Biennial.

    Artist's Objects:

    • Juan  Garaizabal - Understanding the
Presence, VII. Paris. Understanding the Presence, VII. Paris.

  • John Henry  (+)

    Biography : John Henry’s monumental-scale sculptures have appeared in city plazas and public spaces across the Unites States since he first began working at this scale in the 1960s. A forerunner of Chicago’s contemporary public art scene, John Henry’s work has been highly visible in public collections ever since. His return to working at the monumental scale in the 1990’s led to a strong interest in his work in the international arena. The appeal of John’s work is not simple aesthetic. His massive sculptures confront the surroundings at a scale that completes with the man-made environment and nature’s wonders. One attraction of sculpture at the scale is the work’s ability to transcend environmental challenges and cultural barriers. Reacting to forms within our personal landscape is a shared human experience. Whether John Henry’s work is installed within the ancient walls of the twelfth-century chapel in Italy or a metropolitan park in contemporary China, he design a perfectly adapted form that awaits the human encounter. He has managed to create sculptures that become virtual monuments in their respective settings, so much a part of the viewer’s everyday lives that the Works develop pinto meeting places, points of reference, and actual icons for the cities in which they reside. The sculpture becomes and integral part of the communities visual lexicon and if removed, as in the case of Jaguar in Vancouver, the city protests that essential part of the landscape is now absent.

    Also represented by:

  • Edgar Negret  (+)

    Biography : Edgar Negret (October 11, 1920 – October 11, 2012). Negret was born in Popayán, Colombia. He attended the School of Fine Arts in Cali, Colombia. Initially working in stone in styles reminiscent of European modernists like Jean Arp and Constantin Brâncuși. By the early 1950s, he began working in metal in constructivist tradition. In 1955, his art was acquired by the Museum of Modern Art. In 1963, he won the Salón de Artistas Colombianos, and therein became one of the most prominent Colombian sculptors of the 20th century.

    Also represented by:

  • Pablo Tamayo  (+)

    Biography : PABLO TAMAYO Bogotá, Colombia 1972 Lives and works in Bogotá, Colombia EDUCACION 1992-1996 Bachelor in Fine Arts. Art Institute of Florence, Florence, Italy 1996-1997 “Especialización en Grabado” Scuola Internazionale di Specializzazione di Grafica D’Arte, Florence, Italy

    Exhibition : INDIVIDUAL SHOWS 2011 The Second and the Seventh, Bernice Steinbaum Gallery. Miami, Florida. Obra Reciente, Galería La Cometa. Santafé de Bogotá, Colombia. 2009 Espacio, Arte Consultores, Santafé de Bogotá, Colombia. 2007 Cutting Edge Portraiture: Miami Art Crowd, Bernice Steinbaum Gallery, Miami Florida. 2003 Digital Realism, Kevin Bruk Galery. Miami, Florida. 1999 Retratos. Fundación Santillana, Santafé de Bogotá, Colombia. GROUP SHOWS 2016 The Lab Group, Artscape Lab Gallery, Miami, Colombia. 2010 Inestabilidad, Marion Gallery, Panama, Panama. Geometría en Colombia, Galería La Cometa, Santafé de Bogotá, Colombia. Nuevas Adquisiciones, Banco de la Republica de Colombia, Bogota, Colombia. 2009 Fundacion Cardio Infantil, Galería La Cometa, Santafé de Bogotá, Colombia. Subasta Fundación Ayuda a la Infancia, New York, New York. Scope Basel Summer Show, Galerie b-146. Zurich, Switzerland. La Selección Colombia, Colección Suramericana, Medellín, Colombia. FORMARTE, Fundación Corazón Verde, Bogotá, Colombia. 2008 Selections from the Permanent Collection, Miami Art Museum, Miami, Florida. Salón Nacional de Artistas, Cali, Colombia Salón Regional de Artistas zona centro, Tunja- Santafé de Bogotá. Artista Invitado, Galería Nueve Ochenta, Santafé de Bogotá. Siguiente por favor, Galería Nueve Ochenta, Santafé de Bogotá. 2007 December Show, Bernice Steinbaum Gallery, Miami, Florida. In Your Face. Bernice Steinbaum Gallery. Miami, Florida. Exposición Abierta. Centro Colombo Americano. Santafé de Bogotá. 2006 A Timely Response. Bernice Steinbaum Gallery. Miami, Florida. Influenced identity. Bernice Steinbaum Gallery. Miami, Florida. 2005 Sweet Basil. Bernice Steinbaum Gallery. Miami, Florida. 2003 Digital Realism. Kevin Bruk Gallery, Miami, Florida. 1999 Dos Pintores un Escultor, Galeria Espacio Alterno. Santafé de Bogotá, Colombia. 1997 Il Bisonte Show Fine Anno, Jun. Pizza del Duomo, 4, Il Bisonte, Saletta ATAF ART FAIRS 2017 Art Wynwood,

    Also represented by:



Artscape Lab w:  http://www.artscapelab.com Enrique Castillo Georgina Chumaceiro