Liquid art system
, Stand n° AM528
Seo Young Deok
Other Represented Artists
Michelangelo Bastiani, a florentine artist, he was born in Bibbiena (AR). He graduated from the Academy of Fine of Arts of Florence, in the department of Painting and Photography with Master Gustavo Giulietti. His activity is mainly focused on video art. He lived for a period in California and New York, actually he lives in Tuscany and since 2006 he is collaborating with a New York Art Foundation.
2015 Contemporary Istanbul Art Fair
Aria Art Gallery
2015 The Others Art Fair
Alviani Art Space
2015 Capri The Island of Art
Liquid Art System
2015 Capri Tiberio Palace – Liquid Art System
2015 Barbara Paci Galleria d’Arte
De Rerum Natura “infra terram”
2015 White Room Art System
2015 Aria Art Gallery
2014 Grand Hotel et de Milan
2014 Barbara Paci Gallery
“It’s time to move”
Pietrasanta (Lucca), Italy
2014 Il Bottaccio London
“Visibilia ex Invisibilibus”
2014 Aria Art Gallery
“Digital Marmore Wall II”
2013 Istanbul Art Fair
“Digital Marmore Wall”
2013 Aria Art Gallery
“Digital Marmore Wall”
2013 Mana Contemporary Museum
Jersey City, NJ, USA
2013 Arezzo Biennale
2013 Aria Art Gallery
2012 Art Kyiv Contemporary – Aria Art Gallery
Mystetskyi Arsenal, Kyiv, Ukraine
2012 Galleria in Paradiso “Street”
Giardini della Biennale, Venice, Italy
2012 Houston Art Fair
2011 Dream Factory Gallery
2011 Aria Art Gallery
Detailed Description :
Michelangelo Bastiani's artworks are video installations on led screen or interactive video projections, the main theme is water. His art research is based on the interaction between the observer and the artwork.
Also represented by:
Marco Grassi GRAMA
He was born in Milan in 1966 and he lives and works in Mariano Comense.
For the past ten years Marco Grassi has been working with a sense of responsibility in his works, always being faithful to the figurative style of his works, never has he allowed this to become an object of fashion or only satisfying a momentary taste. His language and his subjects have always remained constant and declaringly connected to his sense of vision and to the taste of his complex sensitivity, whenever such choices – the fashionable female figure, certain colour combinations, use of lacquering, the repletion with minimum variations of the subjectshave labelled him, unjustly so, a Pop artist.
He collaborates with the White Room Art System since 2010.
"Those Colours Remind Me of Something", curated by Marco Izzolino, Liquid art system | White Room, Capri
"ROYALTY!", At MODI' DESIGN, Mendrisio, CH
“IconKids" – Stella Mccartney Space – Milano/New York
"Icons" - Gallery Vavilon - Samara, Russia
"Presenze" Loft Gallery - Corigliano Calabro - Italy
“Color in retrospect" – Niche Gallery – Los Angeles
"Our Lady" - Franco Senesi Art Gallery, Positano
“younguys”, 3401 gallery – Miami
“Thirteen” a cura di Igor Zanti – LEO’S Gallery Lugano
“Thirteen” a cura di Igor Zanti – LEO’S Gallery Monza
“SuperHeroes”, Jamel International – Perth Australia
“Why don't you take another little piece of my heart?” – MA11, Atlanta
“Why don't you take another little piece of my heart?” – WFCUSA, Phoenix
“MarcoGrassi”, Kings Road Gallery, – Londra
“BeMyPrincessAgain”, Gallery White Provision, Atlanta
“BeMyPrincess”, a cura di Matteo Galbiati, LEO’S Gallery, Monza
“Glamourgrama”, T35, Milano
“Glamourgrama”, MA09, Atlanta
“Glamourgrama”, WFCUSA, Phoenix
“Girls Save the Pink” – Galleria Nuovospazio, Piacenza
“Girls Save the Pink”, a cura di Stefano Castelli – Villa Sartirana, Giussano, Milano
“Pink 4 1 Night” – Stefano Civati Art Consultant, Milano
“Pink Velvet”, a cura di Maurizio Sciaccaluga – Novato Arte Contemporanea, Fano
“Kissing the pink”, a cura di Matteo Galbiati – Spazio Contemporaneamente, Milano
“La vie en rose” – Galleria Bortone, Parigi
“I LOVE Roma” – Galleria Laura Rossi International, Roma
“SMALL”, a cura di Marta Casati – Galleria Magrorocca, Milano
“LOVE me tender”, a cura di Paola Noè – Ex chiesa di S. Pietro in Atrio, Como
“Self-service”, a cura di Maurizio Sciaccaluga, Galleria Magrorocca, Milano
Detailed Description :
It is true that the privileged subjects of Grassi are delicate and attractive, but also energetic and resolute, female figures shown in fashionable, bright colours, but this should not be sufficient to frame the artist in a genre which is his only in the form but certainly not in the contents of his art.
Marco Grassi renounces an element which up until now was a decisive element and part of the architecture of every part of his work. In his most recent works we witness a complete absence of design: the sure and confident stroke with which he traced outer anatomic lines, showing stability in the whole of the figure, compared to a choice of bold colours which transforms and breaks down under the effect of spatula and drippings, is less obvious. The figure loses the factor of certainty and sureness, a base which permitted it to integrate itself completely in the complex weave of colour, now depicted in a more decisive background and efficiently connected to the expression of faces and the intensity of their silence and complice with those who observe.
Antonio Sannino was born in Naples in 1959; he lives and works between Naples and Rome.
He inherited from his father his passion for art. This passion led him to deepen his studies by following the traces of great traditional Italian masters of landscape. In fact, it was the combination of his ambition to gain knowledge and the passion for travelling that made him visit various museums and artist studios throughout Europe. This was followed by a ten years residence in London.
He collaborates with the Square Gallery, the Fine Art department of Liquid Art System, since 2007.
2016 Solo Show at Royal Palace of Caserta
2015 Context Art Miami 2015 (USA)
2015 "CONTEMPORARY ISTANBUL" (Turkey)
2015 Art Miami New York
2014 "Inner Outside. Octagon Project", hot-spot at "CONTEX Art Miami" (USA)
2014 "CONTEMPORARY ISTANBUL" (Turkey)
2013 "MACRO-WET", curated by Marco Izzolino, Liquid art system | White Room, Capri (Italy)
2013 "UNDRESSED", Yi Gallery, M 50 curated by ITALIAN GENERAL CONSULATE
2012 “UNDRESSED”, COMPLESSO VITTORIANO, Roma (Italy)
2011 "BIENNIAL OF VENICE 54 °. STATE OF THE ART. ALL ITALIAN REGIONS"
, curated by Vittorio Sgarbi, Antico Tabacchificio, Pontecagnano, Salerno (Italy)
2011 ART EXPO, New York, (USA)
2010 "Naturae Res", MASCHIO ANGIOINO, Napoli (Italy)
2008 "Metaforein", curated by Angelo Calabrese, MASCHIO ANGIOINO, Napoli (Italy)
2007 GALLERIES ENATSU, Tokyo (Japan)
2006 "I paesaggi dell'anima", curated by Vittorio Sgarbi, MASCHIO ANGIOINO, Napoli (Italy)
2006 GALLERIES ENATSU. Yamagata (Japan)
2005 GALLERY POMPEII, Fiuggi (Italy)
2004 GALLERY MINERVA, Pavia (Italy)
Detailed Description :
It takes much courage to decide to devout oneself to this kind of painting in the town where Sannino is artistically born and grown up, that is Naples. It takes much courage because – perhaps not everybody knows – the landscape painting was invented in this town, and in Naples there is the most ancient tradition of research and market: the production of this genre was linked to the Grand Tour, the journey that – since the 17th century – aristocrats, intellectuals, artists and rich bourgeois used to make to Italy in their years of formation.
Sannino had the courage to create new iconographies of the Campania landscape, to search for new cuts for frames (thanks to the support of photographic and cinematographic tools), to enhance its colours also in different seasons, but – most of all – he has been able to transfer into this pictorial genre something that no other painter had been able to do when portraying these places: he pictorially reproduced the “matter” of the landscape.
Sannino was able to absorb this ancient tradition of the Campania landscape: he has been assimilating, studying and testing it for many years, so that he was able to find elements of renewal; and starting from this heritage, from a technique which was mature and effective, he started to look farther, towards other landscapes, other places, where nature keeps colliding with artificial elements, in the large urban metropolises. Here, the polluted atmosphere, the wind full of artificial smog become new matter to be portrayed and reproduced for the touch, as well as the large flat surfaces covered with bitumen in order to allow the transit of cars.
Born in Brixen BZ in 1957. Lives and works in Ortisei BZ. He attended the Academy of Monaco environments. From June to September 2011 he was invited to the 54th International Art Exhibition - Venice Biennale in 2011 to represent the Region of Trentino Alto Adige. In October 2011 the solo show at the gallery Arte Boccanera Contemporanea of Trento-Italy.
"Capturing the essence of its territory, the memory of places, without denying its roots Verginer has built a road of his own, original and figurative. If his poetry is part of a trend that considers her co-stars and artists like Stephan Balkenhol Aron Demetz, yet the consistency of his work is shrouded by a higher vision." (L. Beatrice).
Théâtre de l’absurde, curator Valérie Formery ,
Museum Ianchelevici La louviére(B)
Nature Humaine, Gallery LeRoyer, Montreal (CAN)
BaumHaus, curator Alberto Zanchetta,
Museum of Contemporary Art, Lissone (MI)
Solo show, Leo Galleries, Monza
Human Nature, Gallery Majke Hüsstege, s’Hertogenbosch ( NL)
Alle porte del silenzio (with Robert Bosisio), curator: Elio Vanzo, Centro d'Arte Contemporanea, Cavalese (TN) – IT
Solo show (with George de Decker), Galerie Van Campen & Rochtus, Antwerp – BE
In Hoc Signo, Arte Boccanera Gallery, Trento - IT
Disequilibri - Arte Gallery Il Castello – Trento – texts of the catalogue by Alberto Zanchetta and Arnold Tribus
Gallery Andrea Arte Contemporanea
I conquistatori dell’inutile - Gallery Il Castello Milano curator Luca Beatrice
eben in eden - with Florenzia Martinez Gallery Tazl Graz (A)
Art Gallery Il Castello Trento curator Danilo Eccher
Flëures tla flaura - Istitut Ladin Micurà de Rü San Martin de Tor (Val Badia)
Prisma Gallery Bolzano texts of the catalogue by Letizia Ragaglia
Scatules - Des Alpes Selva in Val Gardena
Galleria Spatia - Bolzano
Artistic Circle in Ortisei
Spatia Gallery in Bolzano texts of the catalogue by Danilo Eccher
Municipal gallery of Bressanone
Selection of collective exhibitions since 2004
Mater, Symbolic paths on maternity, Governors Palace, Parma
Il disegno degli scultori, curator Camilla Martinelli, Kunsthalle Eurocenter Lana
Biennale Gherdëina, curator Luca Beatrice, Ortisei (Bolzano)
Chiamata a raccolta, private collections in exhibition, curator Roberto Festi, Galleria Civica, Trento
Three by Tree - Gallery Van Campen & Rochtus - Antwerp (B)
Eco-Logica - Galleries, Monza
Naturales Quaestines - Arengario, Monza
Un’ idea di scultura, Gallery Eventinove, Borgomanero ( Novara)
Un’ idea di scultura Gallery Marcorossi, Verona
l' uomo selvatico o dell' eleganza
Detailed Description :
Wooden sculptures in full relief and worked in the round; they rise up with all their mass and volume, with all the weight of their material in the space they are placed in. Forms that in many cases seem concerned only with themselves and their own internal system of formal relationships and meanings, fully in the ancient and modern statuary tradition. But the sharp and embattled handling with which Willy Verginer (Bressanone, 1957) provokes and caresses wood, does not result in anything archaic or hieratic: he does not make statues, totems or menhirs but images in action; they clearly show the work of the gouge, the plane, and the rasp: “all tools with short, hard names that, to those with a good eye, still seem to be in action” (G. Bachelard).
Seo Young Deok
Liquid art system (L.a.s.) is a commercial contemporary art organisation with galleries currently open in Capri (Italy), Positano (Italy), London (UK) and Istanbul (Turkey). Together, all galleries form a system that proposes a “glocal”* approach to the promotion of contemporary art. The target of L.a.s. is to create an international system of art galleries in different locations around the world that operate for a common purpose, but adaptive to the local economy and culture. L.a.s. responds to the evolution of the international “art system”, derived from enormous changes in the international economy and from the expansion of computer technology and the internet. The cultural affirmation of developing countries has challenged the traditional concept of art galleries, relating to the alleged superiority of the economy and culture of the West. It is necessary to devise a new concept for galleries that is suitable to this new global market, but that also has the ability to pay close attention to local instances which deserve to be highlighted. * The word "glocal" is derived from “glocalization” (Roland Robertson, sociologist), meaning ‘think global, act local’. A combination of the words "global" and "local" used to describe a product or service that is developed and distributed globally, but is also fashioned to accommodate the user or consumer in a local market.