Kuckei + Kuckei , Stand n° AM305

Hearsay Evidence IV, 2018
laser cut c-print, framed, 31,49 x 23,62 in, edition of 3  -  Lilly Lulay

Lilly Lulay Hearsay Evidence IV, 2018 laser cut c-print, framed, 31,49 x 23,62 in, edition of 3

Insomnia 01.02.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31,5 in - Miguel Rothschild

Miguel Rothschild Insomnia 01.02.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31,5 in

Insomnia 07.01.2019, 2019, pins and needles embedded into c-print, 75 x 75 cm | 29,5 x 29,5 in - Miguel Rothschild

Miguel Rothschild Insomnia 07.01.2019, 2019, pins and needles embedded into c-print, 75 x 75 cm | 29,5 x 29,5 in

Insomnia 03.04.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31, 5 in - Miguel Rothschild

Miguel Rothschild Insomnia 03.04.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31, 5 in

Outside the office, still inside, 2018, oil on panel, 71 x 48 cm | 28 x 19 in  -  Jenny Brillhart

Jenny Brillhart Outside the office, still inside, 2018, oil on panel, 71 x 48 cm | 28 x 19 in

Summer house cupboard, 2018, oil on panel, 33 x 43 cm | 13 x 17 in -  Jenny Brillhart

Jenny Brillhart Summer house cupboard, 2018, oil on panel, 33 x 43 cm | 13 x 17 in

01-16, 2016, acrylic paint on acrylic glass, 
5 parts: dimensions variable  - Michael Laube

Michael Laube 01-16, 2016, acrylic paint on acrylic glass, 5 parts: dimensions variable

20-18, 2018, acrylic paint on acrylic glass 
32 x 150 x 9 cm | 12,6 x 59 x 3,5 cm  - Michael Laube

Michael Laube 20-18, 2018, acrylic paint on acrylic glass 32 x 150 x 9 cm | 12,6 x 59 x 3,5 cm

19-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in  - Michael Laube

Michael Laube 19-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in

18-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in - Michael Laube

Michael Laube 18-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in

Exposure #116: N.Y.C., 428 Broome Street, 04.10.15, 1:11 p.m.v , 2015, ultrachrome ink on cotton paper, 5 parts: 122 x 92 cm/48 x 36 inches,              edition of 5                						 - Barbara  Probst

Barbara Probst Exposure #116: N.Y.C., 428 Broome Street, 04.10.15, 1:11 p.m.v , 2015, ultrachrome ink on cotton paper, 5 parts: 122 x 92 cm/48 x 36 inches, edition of 5

Hearsay Evidence IV, 2018 -  Lilly Lulay

Lilly Lulay Hearsay Evidence IV, 2018

Exposure #123.9, Greenport, N.Y., Silversands Motel, 1400 Silvermere Road, 06.12.17, 7:34 pm, 2017, Ultrachrome ink on cotton paper
4 parts, 24 x 24 in each, edition of 5
 - Barbara  Probst

Barbara Probst Exposure #123.9, Greenport, N.Y., Silversands Motel, 1400 Silvermere Road, 06.12.17, 7:34 pm, 2017, Ultrachrome ink on cotton paper 4 parts, 24 x 24 in each, edition of 5

Exhibiting Artists

  • Jenny Brillhart  (+)

    Biography : enny Brillhart was born 1972 in Keene, New Hampshire. She receive a BFA from Smith College – Northhampton, MA. Then she went on to study painting and drawing at The Art Students League, NY. In 2003 she graduated from the The New York Academy of Art with an MFA in painting. She lives and works in Stonington, Maine.

    Detailed Description : Jenny Brillhart’s artistic work consistently involves the interactions of light and shadow, depth and surface, structure and color. The material interplay of painting, photography, and sculptural elements form the basis for Brillhart’s approach to her surroundings and her everyday life. In particular, overlooked, mundane, yet deeply familiar objects and spaces serve as the central motif.

    Artist's Objects:

    •  Jenny Brillhart - Summer house cupboard, 2018, oil on panel, 33 x 43 cm | 13 x 17 in Summer house cupboard, 2018, oil on panel, 33 x 43 cm | 13 x 17 in
    •  Jenny Brillhart - Outside the office, still inside, 2018, oil on panel, 71 x 48 cm | 28 x 19 in Outside the office, still inside, 2018, oil on panel, 71 x 48 cm | 28 x 19 in

    Also exhibited by:

    Also represented by:

  • Michael Laube  (+)

    Artist's Objects:

    • Michael Laube - 18-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in 18-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in
    • Michael Laube - 19-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in 19-18, 2018, acrylic paint on acrylic glass, 32 x 150 x 9 cm | 12,6 x 59 x 3,5 in
    • Michael Laube - 20-18, 2018, acrylic paint on acrylic glass 
32 x 150 x 9 cm | 12,6 x 59 x 3,5 cm 20-18, 2018, acrylic paint on acrylic glass 32 x 150 x 9 cm | 12,6 x 59 x 3,5 cm
    • Michael Laube - 01-16, 2016, acrylic paint on acrylic glass, 
5 parts: dimensions variable 01-16, 2016, acrylic paint on acrylic glass, 5 parts: dimensions variable

    Also exhibited by:

    Also represented by:

  • Lilly Lulay  (+)

    Biography : Lilly Lulay was born in Frankfurt in 1985. From 2005 – 2014 she studied at the University of Art and Design – Hfg Offenbach and the École des Beaux-Arts de Bordeaux, France. She lives and works in Frankfurt, Germany.

    Artist's Objects:

    •  Lilly Lulay - Hearsay Evidence IV, 2018 Hearsay Evidence IV, 2018
    •  Lilly Lulay - Hearsay Evidence IV, 2018
laser cut c-print, framed, 31,49 x 23,62 in, edition of 3 Hearsay Evidence IV, 2018 laser cut c-print, framed, 31,49 x 23,62 in, edition of 3

    Also exhibited by:

    Also represented by:

  • Barbara Probst  (+)

    Biography : Barbara Probst was born in 1964 in Munich. Between 1984 and 1990 she studied at the Akademie der Bildenden Künste in Munich and at the Kunstakademie Düsseldorf. Barbara Probst lives and works in New York, NY and Munich.

    Artist's Objects:

    • Barbara  Probst - Exposure #123.9, Greenport, N.Y., Silversands Motel, 1400 Silvermere Road, 06.12.17, 7:34 pm, 2017, Ultrachrome ink on cotton paper
4 parts, 24 x 24 in each, edition of 5
Exposure #123.9, Greenport, N.Y., Silversands Motel, 1400 Silvermere Road, 06.12.17, 7:34 pm, 2017, Ultrachrome ink on cotton paper 4 parts, 24 x 24 in each, edition of 5
    • Barbara  Probst - Exposure #116: N.Y.C., 428 Broome Street, 04.10.15, 1:11 p.m.v , 2015, ultrachrome ink on cotton paper, 5 parts: 122 x 92 cm/48 x 36 inches,              edition of 5                						Exposure #116: N.Y.C., 428 Broome Street, 04.10.15, 1:11 p.m.v , 2015, ultrachrome ink on cotton paper, 5 parts: 122 x 92 cm/48 x 36 inches, edition of 5

    Also exhibited by:

    Also represented by:

  • Miguel Rothschild  (+)

    Biography : Miguel Rothschild was born in 1963 in Buenos Aires. From 1982-1987 he studied at the Escuela Nacional de Bellas Artes in Buenos Aires. Between 1991 and 1994 he went to study at the Hochschule der Künste, Berlin. Miguel Rothschild lives and works Buenos Aires, RA and Berlin, Germany.

    Detailed Description : Miguel Rothschild is inspired by the idea of calling art into question. Out of this inner debate, reversible figures have emerged which all take photography as their starting point. Studied from a distance, Rothschild's impressive starry sky has a majestic quality; the moment we approach the picture, however, it metamorphoses into an allegory of shattered dreams. Thus perceived, aids such as pins and nails seem terribly beautiful. Their shining heads are set in myriads of stars: for in Rothschild's case, it is literally a question of getting to the very essence of all phenomena. He is a person who wants to discover, at any price, what lies behind the things – assuming, of course, that something does lie hidden behind them. Precisely because we live in a desacrilized world in which art is increasingly being made to serve as projection surface for transcendence, Rothschild is intent on analysing its properties as closely as possible. To this end, photographs must be laid on the dissecting table before they are hung up in the exhibition room. Once there, they are cautiously perforated; in an ironic manner, attributions are undermined and certainties largely divested of meaning. All that is static begins to shake: until it finally makes way for new modes of visual perception. Although he is not a dreamer, Rothschild is nevertheless inspired by that romantic epoch which regarded itself as the continuation of religion with aesthetic means, by the spirit of an age that was able to endure contradictions, knowing full well that – anchored in these – the beauty of all mysteries was waiting to finally be revealed.

    Artist's Objects:

    • Miguel Rothschild - Insomnia 03.04.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31, 5 in Insomnia 03.04.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31, 5 in
    • Miguel Rothschild - Insomnia 07.01.2019, 2019, pins and needles embedded into c-print, 75 x 75 cm | 29,5 x 29,5 in Insomnia 07.01.2019, 2019, pins and needles embedded into c-print, 75 x 75 cm | 29,5 x 29,5 in
    • Miguel Rothschild - Insomnia 01.02.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31,5 in Insomnia 01.02.2019, 2019, pins and needles embedded into c-print, 70 x 80 cm | 27,5 x 31,5 in

    Also exhibited by:

    Also represented by:

Other Represented Artists

About

Contact

Kuckei + Kuckei w:  http://www.kuckei-kuckei.de Founded:  1993 Hannes Kuckei Larissa Fischer Ben Kuckei