Mark Borghi Fine Art Inc , Stand n°

Ron Davis Diagonal Rectangle XV
Exhibition History: The Oakland Museum, "Ronald Davis: Paintings 1962-1975", July - September, 1976.

Alfred Leslie Untitled

Exhibiting Artists

Chakaia Booker (+)
Biography : Chakaia Booker (born 1953 Newark, New Jersey) is an internationally renowned and widely collected American sculptor known for creating monumental, abstract works from recycled tires and stainless steel for both the gallery and outdoor public spaces. Booker’s works are contained in more than 40 public collections and have been exhibited across the US, in Europe, Africa, and Asia. Booker was included in the 2000 Whitney Biennial and received a Guggenheim Fellowship in 2005. Recent public installation highlights include Millennium Park, Chicago (2016-2018), Garment District Alliance Broadway Plazas, New York, NY (2014), and National Museum of Women in the Arts New York Avenue Sculpture Project, Washington DC (2012).
Also exhibited by:
Also represented by:

Other Represented Artists

Mary Abbott (+)
Also represented by:
- Vallarino Fine Art,
- McCormick Gallery,
Josef Albers (+)
Also represented by:
Carl Andre (+)
Also represented by:
- ARCHEUS / POST-MODERN,
Richard Anuszkiewicz (+)
Also represented by:
Karel APPEL (+)
Also represented by:
- William Weston Gallery,
* Arman
Richard Artschwager
Donald Baechler (+)
Also represented by:
Jean-Michel Basquiat (+)
Also represented by:
- Waterhouse & Dodd,
- RUDOLF BUDJA GALLERY,
Alberto Biasi (+)
Also represented by:
- Jerome Zodo Gallery,
- ABSOLUTE ART sa,
Norman Bluhm (+)
Also represented by:
James Brooks (+)
Also represented by:
Deborah Butterfield (+)
Also represented by:
- Zolla/Lieberman Gallery,
- Taylor | Graham,
Alexander Calder (+)
Also represented by:
Nicolas Carone
Maurizio Cattelan
John Chamberlain (+)
Also represented by:
George Condo (+)
Also represented by:
Mary Corse
Walter Dahn
Gene Davis (+)
Also represented by:
Ron Davis (+)
Artist's Objects:
- Diagonal Rectangle XV
Peter Dayton
Biography : In “Surfboards by Clement Greenberg,” Dayton revisits the era of “The Endless Summer” (1966), the cult documentary that features two sun-bleached surfers traveling the globe in search of the perfect wave. He also tunes into Clement Greenberg’s formalist denouement, the period when his obsession with flatness in painting became such a powerful critique that artists used as it a prescription to launch Minimalism. Dayton’s paintings are high gloss, vertically oriented, rectangular, and striped. All resemble the longboards shaped by surfers like Robert August (one of the stars of “Endless Summer”). They also nod respectively in the direction of that famous painter of stripes, Kenneth Noland, who Greenberg championed as an example of post-painterly abstraction in the mid-sixties. By playing surf culture off of Greenberg’s high-minded aesthetics in his paintings, Dayton ends up with a wry, humorous commentary that gleefully revels in its embrace of consumerism and, thus, disrupts Greenberg’s still lingering legacy. Dayton’s “surfboards” may hark back to the days when bronzed and blonde California boys strapped longboards to their Woodies and headed for Malibu, but Dayton (b. 1955) himself absorbed 1960s surf culture from his childhood home in Upper Brookville, New York, just thirty minutes by train from Penn Station. Then, as now, there was a direct pipeline of surf culture (music, skateboards, mini-bikes, and, even, slang) from Southern California to Long Island. Dayton’s brother Chip, for example, worked at the Outdoor Store Surf City USA in Hicksville’s Miracle Mall, then one of the world’s largest. The brothers’ daily uniform matched that of their California brethren: blue Chinos, Ked sneakers, and short-sleeve jersey shirts patterned with”of course”stripes. While Dayton absorbed surfing’s sunny counterculture vibe, Clement Greenberg synthesized the main theoretical points of his earlier art criticism into cold theory. In “M
Willem de Kooning (+)
Also represented by:
Elaine de Kooning
Dorothy Dehner
Jim Dine (+)
Also represented by:
Jean Dubuffet (+)
Also represented by:
Edward Dugmore (+)
Also represented by:
- Vallarino Fine Art,
- Hollis Taggart,
Friedel Dzubas (+)
Also represented by:
Natalie Edgar
Max Ernst (+)
Also represented by:
- DIE GALERIE,
Perle Fine (+)
Also represented by:
- Vallarino Fine Art,
Barry Flanagan (+)
Also represented by:
- Jerome Zodo Gallery,
- Landau Contemporary at Galerie Dominion,
Dan Flavin
Lucio Fontana (+)
Also represented by:
Sam Francis (+)
Also represented by:
Helen Frankenthaler (+)
Also represented by:
Alberto Giacometti (+)
Also represented by:
- Jerome Zodo Gallery,
Sam Gilliam (+)
Also represented by:
Mark Grotjahn
Keith Haring (+)
Also represented by:
Charles Hinman
Damien Hirst (+)
Also represented by:
Hans Hofmann (+)
Also represented by:
Ralph Humphrey
Paul Jenkins (+)
Also represented by:
Allen Jones (+)
Also represented by:
- Galerie Ernst Hilger,
- Galerie Terminus GmbH,
Donald Judd (+)
Also represented by:
- Sims Reed Gallery,
- Lyndsey Ingram,
Anish Kapoor (+)
Also represented by:
Alex Katz (+)
Also represented by:
Ellsworth Kelly (+)
Also represented by:
R.B. Kitaj
Yves Klein (+)
Also represented by:
- Jerome Zodo Gallery,
Franz Kline (+)
Also represented by:
Lee Krasner
Yayoi Kusama (+)
Also represented by:
Alfred Leslie (+)
Artist's Objects:
- Untitled
Also represented by:
- Allan Stone Projects,
- Hollis Taggart,
Sol Lewitt (+)
Also represented by:
Roy Lichtenstein (+)
Also represented by:
Pat Lipsky (+)
Also represented by:
- Spanierman Modern,
Robert Longo (+)
Also represented by:
Georges Mathieu (+)
Also represented by:
- Landau Contemporary at Galerie Dominion,
Mercedes Matter
Joan Mitchell (+)
Also represented by:
Robert Morris
Ed Moses
Robert Motherwell (+)
Also represented by:
Louise Nevelson (+)
Also represented by:
Kenneth Noland (+)
Also represented by:
Jules Olitski (+)
Also represented by:
Alfonso Ossorio (+)
Also represented by:
- Berry Campbell Gallery,
David Ostrowski
Charlotte Park
Adam pendleton
Elizabeth Peyton (+)
Also represented by:
- William Shearburn Gallery,
Michelangelo Pistoletto (+)
Also represented by:
- Eduardo Secci Contemporary,
- Vivian Horan Fine Art,
Jackson Pollock (+)
Also represented by:
- ABSOLUTE ART sa,
Arnaldo Pomodoro (+)
Also represented by:
Larry Poons (+)
Also represented by:
Richard Pousette Dart
Richard Prince (+)
Also represented by:
Larry Rivers (+)
Also represented by:
David Row
Ed Ruscha (+)
Also represented by:
Salvatore Scarpitta (+)
Also represented by:
- Goya Contemporary,
Maurice Sievan
David Smith (+)
Also represented by:
- James Goodman Gallery,
Sir Stanley Spencer
Theodoros Stamos (+)
Also represented by:
Clintel Steed
Frank Stella (+)
Also represented by:
Hedda Sterne
Rudolf Stingel (+)
Also represented by:
- Rosenfeld Gallery New York & Miami ,
- Omer Tiroche Gallery,
Elaine Sturtevant
Donald Sultan (+)
Also represented by:
Anne Truitt
Richard Tuttle
Jack Tworkov (+)
Also represented by:
- Hollis Taggart,
- Debra Force Fine Art,
Esteban Vicente (+)
Also represented by:
Andy Warhol (+)
Also represented by:
Tom Wesselemann
Michael West
Neil Williams
Biography : An important exponent of Minimal and Systemic painting, Neil Williams (1934-1988) was born in Bluff, Utah, in 1934. He undertook his formal training at the California School of Fine Arts, receiving a Bachelor of Fine Arts degree in 1959. One of the first American artists to investigate the aesthetic potential of the irregularly shaped canvas, Neil Williams initially depicted hard-edged geometric forms, but eventually turned to a painterly abstract style. Williams began exhibiting his work in New York City in 1960 and continued to do so throughout his career. His first solo show was held at the Green Gallery in Manhattan in 1964. During that same year, he participated in the exhibition, The Shaped Canvas, organized by the Solomon R. Guggenheim Museum, where his work hung alongside that of artists such as Frank Stella and Paul Feeley. In the ensuing years, Williams’s paintings appeared in a number of group shows devoted to advanced trends in American art, including Systemic Painting, curated by Lawrence Alloway and held at the Guggenheim in 1966. He also had one-man exhibitions at the André Emmerich Gallery in New York and the Dwan Gallery in Los Angeles. Although Neil Williams exhibited regularly in New York and could often be seen at the legendary Max’s Kansas City, he gradually distanced himself from the downtown art scene, spending the majority of his time in Sagaponack, New York, where he shared a studio with Frank Stella. By the early 1970s, Neil Williams had evolved a “technique of sculptural collage whereby he applied the canvas,” while continuing to emphasize the structural integrity of the support. He later created colorful abstractions in which he synthesized landscape and floral elements inspired by the ambiance he encountered on visits to Brazil; as one critic put it: “In Brazil Williams fused the tropical and the urban concrete.” In addition to his activity as a painter, Williams taught at the School of Visual Arts in New York and held g
Christopher Wool (+)
Also represented by:

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Post War Modern and Contemporary Art

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Mark Borghi Fine Art Inc e: info@borghi.org w: http://www.borghi.org Founded: 1998 Mark Borghi Katherine Gagnon Lucy Gong Lisa Mangiafico