Gallery LEE & BAE

Stone body-43 -  Myung-Keun Koh

Myung-Keun Koh Stone body-43
Myung-Keun Koh prints his images on transparent film and then laminates those images, melting them together to form his sculptures. Viewed from different angles, the printed images on these boxes shimmer fluidly, the result of careful abstract arrangement. With the medium of photography, he captures a single moment — but when the photos are layered into boxes, the moment becomes alive again.

Body house-2 -  Myung-Keun Koh

Myung-Keun Koh Body house-2

Blue-1 -  Myung-Keun Koh

Myung-Keun Koh Blue-1

 Museum-3 -  Myung-Keun Koh

Myung-Keun Koh Museum-3

Stone body-37 -  Myung-Keun Koh

Myung-Keun Koh Stone body-37

Chalna - The girl mailing by the postbox C2 - Dae-Hun  Kwon

Dae-Hun Kwon Chalna - The girl mailing by the postbox C2
Dae-Hun Kwon's work is an attempt to capture an instant moment of the moment [chalna]; especially those moments of enlightenment imbued in memory. In his work, he tried to embody the imprinted moments formed with psychological attitude, emotional element, a new discovery or an opposing element of experienced. And to have the temporal concept of the “present” in which the circumstances occurred expressed as an artwork, the contrast and coloration extracted from the “present” were transferred on the sculpture of human body.

Chalna-Who am I? - Dae-Hun  Kwon

Dae-Hun Kwon Chalna-Who am I?

Who likes K magenta? -  Hyun-Sik Kim

Hyun-Sik Kim Who likes K magenta?
Hyun-Sik Kim has been working with epoxy resin for 20 years from 1990s. He creates the plane piece with variety of colors within epoxy resin, which includes beauty of transparent and shines. He materializes variety of colors with resin. His work seems like abstract painting, but its heavier and thicker than common paintings. He focuses on repeating and diversities, instead of equality of the lines. While he is working with epoxy, epoxy itself shows special diversities with the gradation, contrast of the depth and harmonization.

Who likes K blue? -  Hyun-Sik Kim

Hyun-Sik Kim Who likes K blue?

Who likes K violet? -  Hyun-Sik Kim

Hyun-Sik Kim Who likes K violet?

Who likes K yellow? -  Hyun-Sik Kim

Hyun-Sik Kim Who likes K yellow?

Majesty chaosmos11-1 - Jin-Yong Jeong

Jin-Yong Jeong Majesty chaosmos11-1
Jin-Yong Jeong has pursued, with the open mind, a tireless experimentation with form. The feeling of respect he had in the cathedral came to shape his own memories; a feeling that might link with human universals, expressed here as an aerial perspective from a transcendental being above a cityscape, reborn as an imaginary city. He creates works using traditional ink and paint, then covers them in a layer composed of millions of granule-size glass beads, which scatter and reflect light across the underlying artwork. The effect upon the viewer is that a shift in one’s physical position equals a shift in perception of the image.

Divinity2016R - Jin-Yong Jeong

Jin-Yong Jeong Divinity2016R

Majesty G - Jin-Yong Jeong

Jin-Yong Jeong Majesty G

Sound in burn-blue - Jin-Yong Jeong

Jin-Yong Jeong Sound in burn-blue

In the woods - Woo-Lim Lee

Woo-Lim Lee In the woods
In Woo-Lim Lee's painting, there are recognizable symbols but they gradually transform into mysterious landscape. In his symbolic universe, the animals, plants, and figures are slightly floating rather than settled in reality. The people that appear in his paintings are on the border between reality and unreality. He widened its chink masterly crossing the boundary between a dream and reality and there, he created new space. It is a meeting with the world of infinite imagination, where the concept of time has disappeared beyond the logic of gravity and the physical common sense.

In the woods   - Woo-Lim Lee

Woo-Lim Lee In the woods

Spring - Woo-Lim Lee

Woo-Lim Lee Spring

Sping - Woo-Lim Lee

Woo-Lim Lee Sping

Exhibiting Artists

  • Jin-Yong Jeong  (+)

    Artist's Objects:

    • Jin-Yong Jeong - Majesty chaosmos11-1 Majesty chaosmos11-1
    • Jin-Yong Jeong - Sound in burn-blue Sound in burn-blue
    • Jin-Yong Jeong - Majesty G Majesty G
    • Jin-Yong Jeong - Divinity2016R Divinity2016R

    Also exhibited by:

    Also represented by:

  • Hyun-Sik Kim  (+)

    Biography : 1991 BFA, Department of Painting, Hongik Unversity, seoul Lives and works in Uisan & Seoul, Korea

    Exhibition : ■ Selected Solo Exhibitions
    2016 Who likes K colors?, Hakgojae, Shanghai, China
    Who likes colors?, Art Loft, Brussels, Belgium
    2013 Inbetween Spaces, Mauger Modern Art, London
    2012 Line·Zen, Gallery Lee&Bae, Busan, Korea
    2011 Kim Hyunsik solo exhibition, FN Art Space, Seoul
    2010 Illusion, Gallery LVS, Seoul
    2008 Beyond the Visible, Simyo Gallery, Seoul
    Beyond the Visible, Alliance Francaise De Busan, Busan, Korea
    In Between Spaces, Soul Art Space, Busan, Korea
    2007 Between Spaces, Gallery Jung, Seoul
    2006 Slash Spaces, Gallery NC, Busan, Korea
    2005 Nuance, Insa Gallery, Seoul
    2003 Time Hole, Gallery Aum Tae-Ik, Busan, Korea
    2002 JIGO-From the long time ago, Insa Gallery, Seoul
    2000 JIGO-A spotted puppy smiled like a girl, Gallery Sum, Busan, Korea
    1995 JIGO -Shadow, Gallery Boda, Seoul
    1993 JIGO -Traveling, Samjeong Art Space, Seoul

    ■ Selected Group Exhibitions and Projects
    2016 made in the EAST, MDZ Art, Knokke, Belgium
    1st International Exhibition of Contemporary Art of E’mei, E’mei
    Contemporary Art Museum, E’mei, China
    2015 Start, Saatchi Gallery, London, UK
    2014 Korea Tomorrow 2014, Dongdaemun Design Plaza, Seoul, Korea
    Blue & D major, Ilju-sunhwa Gallery, Seoul, Korea
    Insight into Life, Soul Art Space, Busan, Korea
    2013 Silhouette, Gallery LVS, Seoul, Korea
    2012 Special Exhibition of Busan Biennale, Busan
    Cultural Center, Busan, Korea
    2011 G20 Seoul Summit Celebration Exhibition for the Korean
    Fine Art, National Assembly Library; Shuim Museum, Seoul, Korea
    Utopia Regret - Dream in Dream, Art Space Loo, Seoul, Korea
    2010 Two Men Show, Galerie Orem, Paris, Frace
    Coexistence II- Ramble the Future through
    Modern, Gallery IS, Seoul, Korea
    A State of Flux, Ahso Gallery, Seoul, Korea
    Hyper Color, CK Gallery, Ulsan,

    Detailed Description : Kim Hyun Sik has been working with epoxy reigns for 20 years from 1990s. He creates the plane piece with variety of colors within epoxy reigns, which includes beauty of transparent and shines. “Kim Hyunsik materializes variety of colors with reigns. His work seems like abstract painting, but its heavier and thicker than common paintings. He approaches his work with the question ‘Who likes K colors?’ The series are balanced with vertical lines. It evenly constructed with other of his works. But while he is carving down the reigns, his breathe, the speed of action, the strength of carving applies to each lines on the works, therefore it creates personal and detail into own images of the work. Hyun Sik Kim focused on repeating and diversities, instead of equality of the lines. While he working with epoxy, epoxy itself shows special diversities with the gradation, contrast of the depth and harmonization.”

    Artist's Objects:

    •  Hyun-Sik Kim - Who likes K blue? Who likes K blue?
    •  Hyun-Sik Kim - Who likes K magenta? Who likes K magenta?
    •  Hyun-Sik Kim - Who likes K violet? Who likes K violet?
    •  Hyun-Sik Kim - Who likes K yellow? Who likes K yellow?

    Also exhibited by:

    Also represented by:

  • Myung-Keun Koh  (+)

    Biography : 1987 Graduated from Dept. of Sculpture, Seoul National University with B.F.A degree 1991 Graduated from Pratt Institute in New York with M.F.A degree 1998-2007 Professor at Dept. of Fine Art, Kookmin University, Seoul, Korea

    Exhibition : ■ Selected Solo Exhibitions
    2013 Gallery SUN contemporary, Seoul
    2010 LOUIS VUITTON, Taipei
    2008 Kimchongyung Museum, Seoul
    Frey Norris Gallery, San Francisco
    2007 LeeAhn Gallery, Daegu
    O.K Harris Gallery, New York
    2006 Tokyo gallery, Tokyo
    2003 Hanmi Photo Museum, Seoul
    1999 Hakkojae Gallery & Art Space in Seoul , Seoul
    1993 Kumho Gallery, Seoul
    1991 Higgins Hall Gallery, New York

    ■ Selected Group Exhibitions and Projects
    2016 National Museum of Contemporary Art, Seoul
    2015 “Art Basel Hong Kong 2015” Gallery Skape, Hongkong
    National Museum of Contemporary Art, Seoul
    2014 DDP Museum, Seoul
    2013 National Museum of Contemporary Art ,LIGHT BOX, Venice
    2012 <15th sculpture symposium in Icheon> Icheon Art hall, Icheon city
    2011 Museum of Art & Design, New York
    2010 "Art Dubai 2010" Frey Norris Gallery, Dubai
    2009 798SPACE ,Beijing
    Saatchi gallery, London
    2008 Tokyo
    2007 BTAP, Beijing
    2006 Galerie Lumen, Paris
    2005 "Re-presenting Representation VII" Arnot Art Museum, New York
    “ARCO 2005” Tokyo gallery, Madrid
    2004 “2004 Art Cologne” Tokyo gallery, Cologne
    Chapelle de la Sorbonne, Paris
    1998 The Museum of Contemporary Photography,
    Chicago
    1994 "94 New Artists" The National Museum of Contemporary Art, Korea
    1991 "Centennial Biennial Invitational" O.K

    Detailed Description : Inside Koh Myung Keun’s work is nothing. This is not meant in any pejorative sense but instead is both a literal physical description of his work and a description of how it alludes to both the physical distance between things, be it the physical distance between viewer and subject, or between places or things or the emotional distance between people. But Koh’s work is also about making connections both physically, through touch, and metaphysically, by illustrating the ways in which we may come to knowledge through reason. Koh Myung Keun achieves these things by printing two copies of his images of natural things onto sheets of transparent plastic film and then mounting them on other more robust sheets of plastic which are welded together in either a box or ovoid construction with a gap between the sheets. It is in this empty space that rather beautiful things happen. The subtle distortions of space caused by errors of parallax allow our minds to make connections between those things which are normally at a distance. Emptiness is one of the key Taoist concepts. Thus the “Tao Te Ching” notes that the inner space of a jug is its essential part, not the pottery, and that it is the space within four walls that comprises the usefulness of a room. In a similar way, the creation by Koh Myung Keun of a void within the plastic borders of his work, actually gives it greater substance. Koh Myung Keun’s works oblige us to use our imagination to bridge the distance between things. Unlike physical travel, where the journey is just as important as the destination, when viewing his works we remain in one place while our mind is free to wander. His work is a puzzle to the eye but a delight to the imagination.

    Artist's Objects:

    •  Myung-Keun Koh  - Blue-1 Blue-1
    •  Myung-Keun Koh  - Body house-2 Body house-2
    •  Myung-Keun Koh  -  Museum-3 Museum-3
    •  Myung-Keun Koh  - Stone body-37 Stone body-37
    •  Myung-Keun Koh  - Stone body-43 Stone body-43

    Also exhibited by:

    Also represented by:

  • Dae-Hun Kwon  (+)

    Biography : 2004 MFA in Sculpture, The Slade School of Fine Art, UCL, London, UK 1999 MA in Fine Art, College of Fine Art, Seoul National University, Seoul, Korea 1996 BA in Sculpture, College of Fine Art, Seoul National University, Seoul, Korea

    Exhibition : ■ Selected Solo Exhibitions
    2017 Chalna-enlightenment, Gallery by the harbour, Hong Kong
    2012 Chalna, Rachmaninoff’s Gallery, London, UK
    Flying Fish, Brain Factory, Seoul, Korea
    Willowwacks, Gallery B-one, Seoul, Korea
    2010 一切有心造(Everything depends on your mind), Gallery B-one, Seoul, Korea
    2009 Waiting, Rachmaninoff’s Gallery, London, UK

    ■ Selected Group Exhibitions and Projects
    2016 Where am I, UNC Gallery, Seoul, Korea
    2015 Encounter/ the story begins with, Parkryusook Gallery, Seoul, Korea
    2014 From the moment to moment, Jeju Museum of Art, Jeju, Korea
    2013 White & White, Museo Carlo Bilotti, Rome, Italy
    RA Summer Exhibiiton 2013, Royal Academy of Arts, London UK
    British Impact, Gallery Lee & Bae, Busan, Korea
    2011 Bad Romanticism, Museum Link, Arko Art Centre, Seoul, Korea
    2010 Primavere del bianco (Springs in white), Museum of Art S.N.U, Seoul, Korea
    2009 U. S. B, Hangaram art Museum, Seoul Art Centre, Seoul, Korea
    2008 Your Mind's Eye: Digital Spectrum, Seoul Museum of Art, Seoul Korea.
    2007 Performance (Fold 07 launching event), Tate Britain, London, UK
    2006 Danginri Art Plant, Ssamzispace, Seoul, Korea
    2005 RBS Bursary Award 2005, RBS Gallery, London, UK

    Detailed Description : Kwon Dae-Hun works with sculpture, installation and performance. His work is imbued with a distinctive sense of time as marking material objects including people in such a way that they become signs of their part in the configuration of moment (the artist refers to the Korean expression ‘Chalna’ which he translates as ‘the very moment when a thing or a phenomenon is developing’). In his painted sculptural objects Kwon Dae-Hun depicts highly specific but fleeting interrelations—between individuals performing often seemingly insignificant actions, physical things/objects realized with an acute feeling for their uniqueness and the registration of light. These objects achieve a phenomenological deep realism that is spiritual in the sense of an observed transfiguration of some secular, mundane subject matters. The method of realism the artist adopts is associated both with the careful observation of physicality as a species of truth to materiality and a willingness to place the physical within an appropriately fragile continuum sensitive to a kind of perceptual impressionism. This as a kind of limit case for the real. Increasingly the artist alludes to narratives: for instance, a sculpture depicts a small baby with a mobile phone under one foot and a rocket in hand. The sculpture has a dramatic monochromatic finish, as if lit by a flash. In another work, a young women checks her phone while her hand is placed on an English post box, here the relation is almost one of paradox: the brilliant red post box is realized almost as if it were a machine for time travel, backwards that would be.

    Artist's Objects:

    • Dae-Hun  Kwon - Chalna - The girl mailing by the postbox C2 Chalna - The girl mailing by the postbox C2
    • Dae-Hun  Kwon - Chalna-Who am I? Chalna-Who am I?

    Also exhibited by:

    Also represented by:

  • Woo-Lim Lee  (+)

    Artist's Objects:

    • Woo-Lim Lee - In the woods In the woods
    • Woo-Lim Lee - In the woods  In the woods
    • Woo-Lim Lee - Spring Spring
    • Woo-Lim Lee - Sping Sping

    Also exhibited by:

    Also represented by:

Other Represented Artists

About

Gallery LEE & BAE opened in Haeundae in 2010 and since then has held exhibitions of prominent artists from home and abroad. By holding such exhibitions which covers a variety of areas including modern fine art paintings, sculptures, lithography, photography and so on. Gallery LEE & BAE has successfully established itself as art space for all forms of art. We have started 'LEE & BAE Patron Project' with the goal of finding and sponsoring new artists while continuing to hold various exhibitions. This project is based on the active participation and determination of both the gallery and the sponsors to sponsor the artists. 'LEE & BAE Young Artists' which Gallery LEE & BAE promoted since 2011 selects creative young artists working in Busan and Kyeongnam area every two years. To support the works of the artists, we have an advisory board that can provide assessments, productive advice and funding to the artists periodically.

Contact

Gallery LEE & BAE w:  http://www.galleryleebae.com Mi-Ae Bae Sue Park Hyi-Jeong Chu